Il modo italiano: Italian design and avant-garde in the 20th century
Italian design has spanned the whole of the twentieth century, leaving a highly distinctive mark on the way that the form of objects of everyday use is perceived in industrial and contemporary society. This 'Il modo italiano' has succeeded, through a complex and hesitant process of industrial innovation and technological updating, in developing an independent and multifaceted culture of design capable of marrying the country’s rich craft tradition with an often fiercely resisted aspiration to modernity made up of flashes of improvisation and irony, and associated with an arduous bent for experimentation. In this sense, the history of Italian design has not yet been subjected to an exhaustive interpretation of the cultural and artistic dimensions of the phenomenon, and in particular little has been said so far about the synergy between artistic experimentation and innovative design that has characterized it throughout the twentieth century. The exhibition and this catalogue set out to offer a first overview of these links through an exploration of the different ways of seeing, interpreting, and representing industrial society in Italy on the part of the architects, artists, and designers who lived though its emergence, and who to some extent 'invented' it. The exhibition, with around 400 works chosen from among the most representative of artistic research and the culture of design in Italy in the twentieth century, is arranged chronologically, with four sections that define the different periods in the philosophical, economic, and aesthetic discourse that has accompanied the recent history of art and design in Italy. The survey brings to light the 'philosophies' of design and the 'aesthetics' that found a strong and dialectical expression right through the last century in Italy, and that are at the root of the country’s characteristic and lively cultural debate between art and design.
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Design in Italy Monumentality and Rationalism
From Artistsartisans to Architectdesigners Postmodern Testing Ground
Accademia di Belle Accademia di Brera aesthetic architects architecture Armchair artists Arts Liliane Balla Belle Arti Born Carlo Casa Castiglioni cm Mart cm Private collection cm Produced collaborated Colombo colours Compassi d'Oro Compasso d'Oro Contemporanea di Trento creative culture Danese decorative arts Depero Domus Enzo Mari Esposizione Ettore Sottsass exhibition Florence Fondazione Franco Albini furniture Futurist Gaetano Pesce Galleria Gio Ponti Giovanni Giuseppe glass graduated Gruppo industrial design interiors Italian Italian design Italy Lamp Liliane and David Lucio Fontana magazine Manifesto Mario Mendini Milan Politecnico Milan Triennale Mitchell Wolfson modern Moderna e Contemporanea Montreal Museum Monza movement Munari Museo d'Arte Moderna Museum of Art Novecento objects Oil on canvas Olivetti onwards painter painting Paolo Paris Pier Giacomo Castiglioni Piero Piero Manzoni Rome Rovereto Inv sculpture set designer solo show Stewart Collection Inv Studio Trento e Rovereto Turin Vase Venice Biennale Venini York Zanuso