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The Painter's Practice:

how artists lived and worked in traditional China
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COLUMBIA University Press, 1995/04/01 - 187 ページ

In The Painter's Practice, James Cahill reveals the intricacies of the painter's life with respect to payment and patronage--an approach that is still largely absent from the study of East Asian art. Drawing upon such unofficial archival sources as diaries and letters, Cahill challenges the traditional image of the disinterested amateur scholar-artist, unconcerned with material rewards, that has been developed by China's literati, perpetuated in conventional biographies, and abetted by the artists themselves. His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward. Considering the marketplace as well as the studio, Cahill reviews the practices and working conditions of artists outside the Imperial Court such as the employment of assistants and the use of sketchbooks and prints by earlier artists for sources of motifs. As loose, flamboyant brushwork came into vogue, Cahill argues, these highly imitable styles ironically facilitated the forger's task, flooding the market with copies, sometimes commissioned and signed by the artists themselves. In tracing the great shift from seeing the painting as a picture to a concentration on the painter's hand, Cahill challenges the archetype of the scholar-artist and provides an enlightened perspective that profoundly changes the way we interpret familiar paintings.

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Review: The Painter's Practice: How Artists Lived and Worked in Traditional China (Brampton Lectures in America)

ユーザー レビュー  - David - Goodreads

Cahill here presents four lectures on the economic and social aspects of Chinese painting from the Song to the Qing dynasties. The first chapter introduces the problem confronting modern criticism of ... レビュー全文を読む

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他の版 - すべて表示

The Painter's Practice: How Artists Lived and Worked in Traditional China
The Painter's Practice: How Artists Lived and Worked in Traditional China
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プレビュー不可 - 1994

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JSTOR: The Painter's Practice: How Artists Lived and Worked in ...
Book Reviews 121 THE PAINTER'S PRACTICE: HOW ARTISTS LIVED AND WORKED IN TRADITIONAL CHINA, by James Cahill. New York: Columbia Univer- sity Press, 1994, ...
links.jstor.org/ sici?sici=0021-8510(199523)29%3A3%3C121%3ATPPHAL%3E2.0.CO%3B2-K

ingentaconnect JAMES CAHILL, The Painters Practice: How Artists ...
JAMES CAHILL, The Painter's Practice: How Artists Lived and Worked in Traditional China, Bampton Lectures in America, no. 29. New York: Columbia University ...
www.ingentaconnect.com/ content/ brill/ top/ 1998/ 00000084/ F0030001/ art00016;jsessionid=3icecppcr885i.alexandra?format=print

Nicholas Pearce
CAHILL, James: The Painter's Practice: How Artists Lived and Worked in Traditional China. Columbia, New York, 1994, Chapter 3. General reading: ...
www.glaadh.ac.uk/ documents/ nic_pearce_course.htm

Art History 371 / E Asian 356 (Murray): Lectures and Assignments
CALENDAR OF LECTURES. (with events, reading assignments, and links to review images). WEEK 1. Introduction to course, and language issues [Back to Calendar] ...
www.wisc.edu/ arth/ ah371/ lectures.html

1 Theorisation of art as a commodity: Wen Zhengming and the ...
1. Theorisation of art as a commodity: Wen Zhengming and the commodity culture of. the late Ming Dynasty. By Russel Storer, Museum of Contemporary Art, ...
www.arts.usyd.edu.au/ departs/ arthistory/ documents/ Workshop/ Storer.pdf

Brook, Timothy
Professor Ari Daniel Levine. Office Hours:. adlevine@uga.edu. Tuesday 3:30-5. 312 leconte Hall. (and by appointment). History 4625 ...
www.uga.edu/ history/ syllabi_pdf/ HIST_4625_levinea_0806.pdf

Introducción
Corsi, Elisabetta. "El mito del literato elegante en la cultura tardía Ming. Tu long (1542-1605)". En: Estudios de Asia y África. Vol. XXXV No. 3. 113. ...
ceaa.colmex.mx/ sitioceaa/ recursosacademicos/ textossitioceaa/ textosrevistaceaa/ texcorsi113.html

著者について (1995)

James Cahill is professor of Art History at the University of California, Berkeley. His most recent book is "The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting," which won the Charles Rufus Morey Award of the College Art Association.

書誌情報

QR code for The Painter's Practice
書籍名The Painter's Practice: how artists lived and worked in traditional China
Bampton lectures in America
著者James Cahill
版イラスト付き
出版社COLUMBIA University Press, 1995
ISBN0231081812, 9780231081818
ページ数187 ページ
  
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