Talon Books, 1997/01/01 - 124 ページ
According to Joan MacLeod, her play 2000 grew out of a story she read about a cougar that had wandered into a sports arena in Vancouver, BC: “I was intrigued by the notion of the wild invading the city and the city invading the wild, by the idea of things being not quite right in nature and the approach of the millennium.”
In the play, the cougar appears to embody the precarious and increasingly circumscribed state of nature. Each character relates to nature in a different way, whether it be with distrust, cynicism, awe or longing. The figure of the “Mountain Man,” who has abandoned all of his civilized ways, even speech, to live among the animals of the forest, provides a meeting ground between humanity and nature. Like the cougar, increasingly crowded by a rapidly encroaching civilization, he scavenges what precious little remains of the beautiful animal in all of us.
Cast of 3 women and 2 men.
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Alright Armstrong attitude toward hunting basically shy Blackout breakfast cereal Chief Dan George coffee collar cougar creek dead door Doug Dougie dream Early Childhood Education earth feet Fergus flagellants Fuck Gaulle going gold canoe gone grabs hand harvey wallbanger Hello homeless Hong Kongs husband Island Girl JANINE enters JANINE exits Jesus Joan MacLeod kids kitchen listen live loggers looks machine milk carton morning MOUNTAIN MAN sniffs MOUNTAIN MAN's Muslix Nanaimo NANNY rises Nature Boy night okay Onion rings oooh Patrick McDonald piss pit bull probably Quebec Scene SEAN and WYN SEAN enters SEAN goes Sky Train sleep smoke sound Stanley Park stupid talk tell Thank There's thing Vancouver Vancouver Island watches wearing What's Who's window woman worry WYN enters WYN exits WYN kiss WYN's Yeah yells