David Bowie: Critical PerspectivesEoin Devereux, Aileen Dillane, Martin Power Routledge, 2015/03/24 - 342 ページ David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie’s complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of ‘textualities’, ‘psychologies’, ‘orientalisms’, ‘art and agency’ and ‘performing and influencing’ in Bowie’s work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity. |
目次
1 | |
Bowie Nihilism and Meaning | 19 |
Ashes to Ashes and the case for Pierrot | 35 |
David Bowie in the 1990s and Discovery of Authentic Self | 56 |
David Bowie Carl Jung and the Unconscious | 82 |
A psychoanalytical approach to some of his personae | 111 |
David Bowie and Japonism in fashion in the 1970s | 128 |
Reconsidering David Bowie in the 1980s | 147 |
Reading some Bowie Album Covers | 196 |
12 Revisiting Bowies Berlin | 215 |
the Extraordinary Rock Star as Film Star | 230 |
14 The becomingwoMan Who Fell to Earth | 245 |
Ziggy Stardust and the Spatial Interplay of Lyrics Vocals and Performance | 263 |
Questions of Fandom and Late Style | 280 |
17 How SuperficialBowie and the Art of Surfacing in 21st Century Literature | 295 |
Contributors | 310 |