The Emergence of Cinematic Time: Modernity, Contingency, the Archive
Harvard University Press, 2002 - 288 ページ
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity.
At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.
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Review: The Emergence of Cinematic Time: Modernity, Contingency, the Archiveユーザー レビュー - Jessie B. - Goodreads
An interesting look at the way the advent of film and photography changed modern notions of time. Not always easy to understand but fascinating none the less. レビュー全文を読む
Review: The Emergence of Cinematic Time: Modernity, Contingency, the Archiveユーザー レビュー - William West - Goodreads
Seeks to reinvigorate apparatus theory. I approve. レビュー全文を読む