 | Charlie Keil, Shelley Stamp - 2004 - 392 ページ
This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form ... | |
 | Ben Singer - 2001 - 388 ページ
In this groundbreaking investigation into the nature and meanings of melodrama in American culture between 1880 and 1920, Ben Singer offers a challenging new reevaluation of ... | |
 | Charlie Keil - 2001 - 324 ページ
The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment ... | |
 | Charlie Keil, Kristen Whissel - 2016 - 268 ページ
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film ... | |
 | Anthony Slide - 1994 - 316 ページ
Provides a concise history of the American motion picture industry before 1920. | |
 | Jennifer M. Bean - 2011 - 288 ページ
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the ... | |
 | Shelley Stamp - 2000 - 288 ページ
This volume examines women's films and filmgoing in the 1910s, a period when female patronage was energetically courted by the industry for the first time. It demonstrates that ... | |
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