A Postmodern Cinema: The Voice of the Other in Canadian FilmScarecrow Press, 2002 - 261 ページ Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR |
目次
Toward a Postmodern Film Theory | 1 |
The Importance of Eisensteins Theories to Postmodernism | 25 |
Bazin Phenomenology and Postmodernism | 47 |
Metz Structuralist Film Theory in the Light of Poststructuralism | 61 |
The Turning Point to Postmodernism The New Novel and Last Year at Marienbad | 81 |
Canadian Film History and Canadian Identity Realism Modernism and Postmodernism | 101 |
Jesus of Montreal | 119 |
Ive Heard the Mermaids Singing | 141 |
Family Viewing | 165 |
Life Classes | 191 |
Conclusion | 219 |
| 235 | |
| 251 | |
About the Author | |
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Alain Robbe-Grillet ambiguous André Bazin Arcand argues artist Atom Egoyan Bazin Bordwell camera Canada Canadian Film cinema communitas construction Contemporary contradictions contradictory culture David Bordwell deconstruction Denys Arcand Derrida discourse documentary Edited Eisenstein Essays Family Viewing father feminism feminist Fiction Film filmmakers formalist Hal Foster Heard the Mermaids Husserl idea identity interaction irony Ivan Jacques Derrida Jesus of Montreal Keefer Lacan language lesbian Linda Hutcheon London Lyotard MacGillivray Marienbad Mary meaning Mermaids Singing Metz Metz's mind mise en abyme modern modernist montage narrative novel object object/reality Patricia Rozema phenomenological play point of view political Polly position postmod postmodern film theory poststructuralism poststructuralist problematized Quebec Québécois reality Resnais Routledge Rozema scene seems shot social story strategies structuralist film theories structures of society style technique television tion Toronto tradition trans truth University Press Véronneau viewer visual woman women writing