Celluloid Mushroom Clouds: Hollywood And The Atomic BombAvalon Publishing, 1998/05/07 - 212 ページ Celluloid Mushroom Clouds is a historical account of how the movie industry responded to specific economic and political forces over the postwar years. Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood films produced and distributed between 1947 and 1964. Incorporating qualitative and quantitative research methods, over ninety films are analyzed in terms of their historical context and the context of film production and distribution. |
目次
Above and Beyond 1952 | 45 |
Experimentation with Atomic Themes | 61 |
Hollywood Science Fiction 19541959 | 73 |
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alien invader atomic bomb atomic development atomic energy atomic issues Atomic Scientists atomic technology atomic testing atomic weapons attempt audience Beginning bomb's box-office civilian scientist civilization Cold War communist concern Corman created creatures critical Cuban Missile Crisis culture defense depicted destroy destruction dominant Earth economic example exploitation explosion Fail-Safe fallout fear film content film industry film production film's filmmakers footage force Frederick Soddy future giant Hollywood film Hollywood industry Hollywood products HUAC human hydrogen bomb images independent producers invasion invasion films major studios Manhattan Project military Missile monster films movie mutated nuclear war nuclear weapons official Pentagon Peter Biskind planet political popular portrayed postnuclear potential presented promoted radiation-produced monster radioactive rhetoric Roger Corman scenarios science fiction films science fiction genre scientific script secrets social Soviet Union specific story Strangelove survival survivors television theaters threat tion transmutation United University Press weaponry York