Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race and CultureJohn Edgar Browning, Caroline Joan "Kay" S. Picart Scarecrow Press, 2009/04/08 - 338 ページ Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework. |
目次
3 | |
Chapter 02 The Dracula and the Blacula 1972 Cultural Revolution | 19 |
Toward a Gothic Criminology | 37 |
Chapter 04 Blood Lust and the FeMale Narrative in Bram Stokers Dracula 1992 and the Novel 1897 | 63 |
The Next Generation 19871994 and Star Trek First Contact 1996 An Uncanny Reflection | 77 |
Undead Imagery in the Cinematic Portrait of Aileen Wuornos | 93 |
Part II WORKING THROUGH CHANGE AND XENOPHOBIA IN EUROPE | 113 |
Relations between Historical Reality and Vampire Fiction | 115 |
Part III IMPERIALISM HYBRIDITY AND CROSSCULTURAL FERTILIZATION IN ASIA | 165 |
The Pontianak as Excess in Malay Popular Culture | 167 |
The Lollywood Gothic of Khwaja Sarfrazs Zinda Laash Dracula in Pakistan US title 1967 | 187 |
Goeng Si and Vampires in Hong Kong Cinema | 203 |
The Silent Screams and Cultural Crossroads of Japanese and Hong Kong Cinema | 235 |
Imperialist Vampires in Japan? | 261 |
Decoding Hybridity and CyberZen Gothic in Vampire Hunter D 1985 | 279 |
295 | |
The AntiSlavic Premise of Bram Stokers Dracula 1897 | 127 |
Count Dracula and the Transnational Counterculture in Dracula AD 1972 1972 | 135 |
Chapter 10 Nosferatu the Vampyre 1979 as a Legacy of Romanticism | 153 |
About the Editors and Contributors | 311 |
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