The musical manuscript Montecassino 871: a Neapolitan repertory of sacred and secular music of the late fifteenth century

前表紙
The late fifteenth-century musical manuscript preserved at the abbey of Montecassino is one of the most important musical manuscripts of the period. Known as MS871, it contains an international repertoire of sacred and secular music performed at the Argonese Court of Naples in the second half of the fifteenth century. The liturgical music includes hymns, psalms, Magnificants, and Lamentations by French, Italian, and Spanish composers. The secular compositions comprise French chansons, Italian ballate strambotti, and Spanish canciones. Many of the compositions are unique to this manuscript. This edition comprises a study of the origins and physical state of the manuscript; a musical and literary description of the 141 surviing compositions; musical transcriptions designed to provide a practical, performing edition as well as a scholarly rendering of the original text; a critical commentary on each piece with details of the musical and literary cocordances; and a bibliography.

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i
14
53
23
56
35
64
42
EDITORIAL POLICY
101
In mandatis ejus
258
Iste confessor domini
278
Magnificat in Tone
303
I24 Sepulcrum signantes
493
I29 Cor mio volonturiuso
500
I32 O tempo bono
506
I35 Mon fort souspirz
515
I38 Sanctus fragment
523
A Substitute Setting for Seventh Strophe of Magnificat in Tone III by G Dufay
536
i
539
Cornago
539

Ioo Brunette je vous ay améeBrunette au
395
amare Marioneta
401
Dunstable or Bedingham
409
Hayne van Ghizeghem
416
Io7 Morttu as navré Oquegan
427
Viva viva rey ferrando
442
II4 De dos la mer
456
II7 Non sia gyamay
470
I2I Ave verum corpus
483
I22 De mes dolors page
486
Cornago
555
Oriola
561
Christe redemptor omnium conserva tuos
585
Veni creator spiritus
591
29
612
LIST OF SOURCES
633
86
650
BIBLIOGRAPHY
665
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