A Criticism of the Elegy Written in a Country ChurchyardJ. Ballantyne and Company, 1810 - 148 ページ |
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15 ページ
... imagination had formed for it . Of the language of the feeling he became possessed of a compe- tent portion , as well as of its modes , to which , on several occasions , he gave ex- pression ; and on none more remarkably , than in ...
... imagination had formed for it . Of the language of the feeling he became possessed of a compe- tent portion , as well as of its modes , to which , on several occasions , he gave ex- pression ; and on none more remarkably , than in ...
22 ページ
... imagination pre- vious to the operation of composing , or even during its progress , it has consider- ably influenced the execution . It has so led and regulated the train of think- ing , and the mutual dependencies , that the slightest ...
... imagination pre- vious to the operation of composing , or even during its progress , it has consider- ably influenced the execution . It has so led and regulated the train of think- ing , and the mutual dependencies , that the slightest ...
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... imagination , when he wrote it ; and it is an Ode on Noon - tide still . 2 " Reflections in a Country Church- yard " was the title by which this piece was first known ; a title plain , sober , and expressive of its nature ; but too ...
... imagination , when he wrote it ; and it is an Ode on Noon - tide still . 2 " Reflections in a Country Church- yard " was the title by which this piece was first known ; a title plain , sober , and expressive of its nature ; but too ...
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John Young. the conviction of ; nor elongations , more than Pindaric , bring imagination in con- tact with , even for a moment . What makes this conceit ( if by the name conceit may be called that which cannot be conceived ) the more ...
John Young. the conviction of ; nor elongations , more than Pindaric , bring imagination in con- tact with , even for a moment . What makes this conceit ( if by the name conceit may be called that which cannot be conceived ) the more ...
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... imagination , I need only mention , as particular examples , the ominous slaughter of the raven * , the fiendish conferences between Ailsie Gourlay and her companions † , and the legend of Lord Ravenswood and the Naiad , which contains ...
... imagination , I need only mention , as particular examples , the ominous slaughter of the raven * , the fiendish conferences between Ailsie Gourlay and her companions † , and the legend of Lord Ravenswood and the Naiad , which contains ...
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Abbot admiration Antiquary appear author of Marmion author of Waverley beautiful beech Black Dwarf Bridal of Triermain Bride of Lammermoor Canto Canto VI castle character Church-yard circumstances composition criticism Dæmon dark death Douglas Elegy expression fancy favourite feeling Glossin Græme Gray Guy Mannering hand Harold the Dauntless Hatteraick Heart of Mid Heart of Mid-Lothian Henry hero honour Ibid images imagination instances Isles Ivanhoe Jeanie Kenilworth labour Lady Lake Landlord Last Minstrel Legend of Montrose Letters light Loch Katrine Lord Mid Lothian mind Monastery narrative natural night novelist novels o'er observation Old Mortality passage person personage Petrarch poems poet poetical poetry praise prose racter remarkable resemblance Risingham Rob Roy Roderick Rokeby romantic says scarcely scene seems sound spirit stanza story style supposed tale taste thou thought tion tower verse wild writers
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54 ページ - Where through the long-drawn aisle and fretted vault, The pealing anthem swells the note of praise.
3 ページ - For them no more the blazing hearth shall burn, Or busy housewife ply her evening care : No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
9 ページ - One morn I missed him on the customed hill, Along the heath and near his favorite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow through the churchway path we saw him borne. Approach and read (for thou canst read) the lay, Graved on the stone beneath yon aged thorn.
4 ページ - Can storied urn or animated bust Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flattery soothe the dull cold ear of death?
8 ページ - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.
1 ページ - ELEGY WRITTEN IN A COUNTRY CHURCHYARD / THE CURFEW tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me.
104 ページ - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
2 ページ - The breezy call of incense-breathing Morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed...
7 ページ - E'en from the tomb the voice of Nature cries, E'en in our ashes live their wonted fires. For thee, who, mindful of th' unhonour'd dead, Dost in these lines their artless tale relate; If chance, by lonely Contemplation led, Some kindred spirit shall inquire thy fate, — Haply some hoary-headed swain may say, Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away, To meet the sun upon the upland lawn...
5 ページ - Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes...