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NUMB. 2. SATURDAY, April 22, 1758.
Toto viv quatcr anno
MANY positions are often on the tongue, and seldom in the mind; there are many truths which every human being acknowledges and forgets. It is generally known, that he who expects much will be often disappointed; yet disappointment seldom cures us of expectation, or has any other effect than that of producing a moral sentence, or peevish exclamation. He that embarks in the voyage of life, will always wish to advance rather by the impulse of the wind, than the strokes of the oar; and many founder in the passage, while they lie waiting for the gale that is to waft them to their wish.
It will naturally be suspected that the Idler has lately suffered some disappointment, and that he does not talk thus gravely for nothing. No man is required to betray his own secrets. I will, however, confess, that I have now been a writer almost a week, and have not yet heard a single word of praise, nor received one hint from any correspondent.
Whence this negligence proceeds I am not able to discover. Many of my predecessors have thought themselves obliged to return their acknowledgments in the second paper, for the kind reception of the first ; and in a short time, apologies have become necessary to those ingenious gentlemen and ladies, whose performances, though in the highest degree elegant and learned, have been unavoidably delayed. What then will be thought of me, who, having experienced no kindness, have no thanks to return ; whom no gentleman or lady has yet enabled to give any cause of discontent, and who have therefore no opportunity of showing how skilfully I can pacify resentment, extenuate negligence, or palliate rejection, I have long known that splendor of reputation is not to be counted among the necessaries of life, and therefore shall not much repine if praise be withheld till it is better deserved. But surely I may be allowed to complain, that, in a nation of authors, not one has thought me worthy of notice after so fair an invitation. At the time when the rage of writing has seized the old and young, when the cook warbles her lyricks in the kitchen, and the thrasher vociferates his heroicks in the barn; when our traders deal out knowledge in bulky volumes, and our girls forsake their samplers to teach kingdoms wisdom; it may seem very unnecessary to draw any more from their proper occupations, by affording new opportunities of literary fame. I should be indeed unwilling to find that, for the sake of corresponding with the Idler, the smith's iron had cooled on the anvil, or the spinster's distaff stood unemployed. I solicit only the contributions of those who have already devoted themselves to literature, or, without any determinate intention, wander at large through the expanse of life, and wear out the day in hearing at one place what they utter at another. Of these, a great part are already writers. One has a friend in the country upon whom he exercises his powers; whose passions he raises and depresses; whose understanding he perplexes with paradoxes, or strengthens by argument; whose admiration he courts, whose praises he enjoys; and who serves him instead of a senate or a theatre; as the young soldiers in the Roman camp learned the use of their weapons by fencing against a post in the place of an enemy. Another has his pockets filled with essays and epigrams, which he reads from house to house, to select parties; and which his acquaintances are daily entreating him to withhold no longer from the impatience of the publick. If among these any one is persuaded, that, by such preludes of composition, he has qualified himself to appear in the open world, and is yet afraid of those censures which they who have already written, and they who cannot write, are equally ready to fulminate against public pretenders to fame, he may, by transmitting his performances to the Idler, make a cheap experiment of his abilities, and enjoy the pleasure of success, without the hazard of miscarriage. Many advantages not generally known arise from this method of stealing on the public. The standing author of the paper is always the object of critical malignity. Whatever is mean will be imputed to him, and whatever is excellent be ascribed to his assistants. It does not much alter the event, that the author and his correspondents are equally unknown; for the author, whoever he be, is an individual, of whom every reader has some fixed idea, and whom he is therefore unwilling to gratify with applause; but the praises given to his correspondents are scattered in the air, none can tell on whom they will light, and therefore none are unwilling to bestow them.
He that is known to contribute to a periodical work, needs no other caution than not to tell what particular pieces are his own; such secrecy is indeed very difficult; but if it can be maintained, it is scarcely to be imagined at how small an expence he may grow considerable.
A person of quality, by a single paper, may engross the honour of a volume. Fame is indeed dealt with a hand less and less bounteous through the subordinate ranks, till it descends to the professed author, who will find it very difficult to get more than he deserves; but every man who does not want it, or who needs not value it, may have liberal allowances; and, for five letters in the year sent to the Idler, of which perhaps only two are printed, will be promoted to the first rank of writers by those who are weary of the present race of wits, and wish to sink them into obscurity before the lustre of a name not yet known enough to be detested.
NUMB. 3. SATURDAY, April 29, 1758.
IT has long been the complaint of those who frequent the theatres, that all the dramatick art has been long exhausted, and that the vicissitudes of fortune, and accidents of life, have been shown in every possible combination, till the first scene informs us of the last, and the play no sooner opens, than every auditor knows how it will conclude. When a conspiracy is formed in a tragedy, we guess by whom it will be detected; when a letter is dropt in a comedy, we can tell by whom it will be found. Nothing is now left for the poet but character and sentiment, which are to make their way as they can, without the soft anxiety of suspense, or the enlivening agitation of surprize.
A new paper lies under the same disadvantages as a new play. There is danger lest it be new without novelty. My earlier predecessors had their choice of vices and follies, and selected such as were most likely to raise merriment or attract attention; they had the whole field of life before them, untrodden and unsurveyed; characters of every kind shot up in their way and those of the most luxuriant growth, or most conspicuous colours, were naturally cropt by the first sickle. They that follow are forced to peep into neglected corners, to