Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 ページ It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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... late - medieval " poets " like Lydgate or Skelton reminds us that " poet " had long been an important label for certain writers.26 In the fifteenth century , the semantic field covered by the word " author " and its variants was already ...
... late - medieval " poets " like Lydgate or Skelton reminds us that " poet " had long been an important label for certain writers.26 In the fifteenth century , the semantic field covered by the word " author " and its variants was already ...
313 ページ
... late 15th- or 16th - century Europe , and I am certainly not making an argument about print as sole cause of the modern theatre as an institution : as David Bevington , Glynne Wickham , and others have shown , the development of ...
... late 15th- or 16th - century Europe , and I am certainly not making an argument about print as sole cause of the modern theatre as an institution : as David Bevington , Glynne Wickham , and others have shown , the development of ...
340 ページ
... late 17th and late 18th centuries require further study . 19. The number of English texts set up from promptbooks , for instance , declines notably after the 1680s ( see the listings in Langhans , Restoration , and his discussion pp ...
... late 17th and late 18th centuries require further study . 19. The number of English texts set up from promptbooks , for instance , declines notably after the 1680s ( see the listings in Langhans , Restoration , and his discussion pp ...
目次
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
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17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes