Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 ページ It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
この書籍内から
検索結果1-3 / 92
99 ページ
... tragedy with actors , sets , and costumes — with performances in scenic space . Charles Estienne's preface to his 1542 translation of Terence's Andria is typical in its subsections : " In what places were Tragedies and Comedies first ...
... tragedy with actors , sets , and costumes — with performances in scenic space . Charles Estienne's preface to his 1542 translation of Terence's Andria is typical in its subsections : " In what places were Tragedies and Comedies first ...
171 ページ
... tragedy's task to imitate became , from this point of view , not the action narrated ( as for Aristotle ) but the action of the actor . For Castelvetro , for instance , " the definition of tragedy states that tragedy is the imitation of ...
... tragedy's task to imitate became , from this point of view , not the action narrated ( as for Aristotle ) but the action of the actor . For Castelvetro , for instance , " the definition of tragedy states that tragedy is the imitation of ...
398 ページ
... tragedy ” may be “ the adornment of visual spectacle , " explains Aristotle , tragedy does not require actors and full - scale theatrical machinery : “ the potential of tragedy does not depend upon public performance and actors " ; " ...
... tragedy ” may be “ the adornment of visual spectacle , " explains Aristotle , tragedy does not require actors and full - scale theatrical machinery : “ the potential of tragedy does not depend upon public performance and actors " ; " ...
目次
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
著作権 | |
他の 20 セクションは表示されていません
他の版 - すべて表示
多く使われている語句
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes