Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries : Essays in Honor of James P. LusardiFairleigh Dickinson Univ Press, 2006 - 275 ページ This book assembles a cast of sixteen distinguished theater historians and performance critics, each of whom has contributed significantly to our understanding of issues associated with performing works of Shakespeare and his contemporaries. Their essays, all appearing in print for the first time, are presented in two groupings: a theater history and practice section, in which contributors examine matters related to performance in Shakespeare's time and our own, and a performance criticism section, in which contributors treat modern productions on stage and screen. In the theater history and practice section, Roslyn L. Knutson explores the 1599-1600 repertory of the Admiral's Men and the Chamberlain's Men, who performed in rival playhouses. |
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... play , one realized that it was no longer possible to agree with A. C. Bradley's respectful but misguided insistence ... plays a year . For him , each production , no matter how it twisted the text , provided yet another angle of vision ...
... play , one realized that it was no longer possible to agree with A. C. Bradley's respectful but misguided insistence ... plays a year . For him , each production , no matter how it twisted the text , provided yet another angle of vision ...
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... play . Charney's assumptions about Shakespeare's use of popular speech and his challenge to what we commonly think of as “ literary ” language provide a performative context for Shakespeare's plays , which , Char- ney argues , are not ...
... play . Charney's assumptions about Shakespeare's use of popular speech and his challenge to what we commonly think of as “ literary ” language provide a performative context for Shakespeare's plays , which , Char- ney argues , are not ...
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... play . Hallett sees the 2002 Almeida Theatre production as the epitome of an inclination toward realism that has characterized modern productions of the storm ... plays - within - the - play and other 14 PAUL NELSEN AND JUNE SCHLUETER.
... play . Hallett sees the 2002 Almeida Theatre production as the epitome of an inclination toward realism that has characterized modern productions of the storm ... plays - within - the - play and other 14 PAUL NELSEN AND JUNE SCHLUETER.
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... plays - within - the - play and other techniques to draw the audi- ence into a theatrical world in which tyranny and torture are the norm . Michael D. Friedman's " I'm not a feminist director , but ... ' : Recent Feminist Productions of ...
... plays - within - the - play and other techniques to draw the audi- ence into a theatrical world in which tyranny and torture are the norm . Michael D. Friedman's " I'm not a feminist director , but ... ' : Recent Feminist Productions of ...
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... play through a fresh perspective , " linked with imagination and creativity . " Indeed , extratextual children may , finally , not be " extratextual " at all but " the reification of many seemingly disparate elements that are in- herent ...
... play through a fresh perspective , " linked with imagination and creativity . " Indeed , extratextual children may , finally , not be " extratextual " at all but " the reification of many seemingly disparate elements that are in- herent ...
目次
Repertorial Competition at the Rose and Globe 15991600 | 21 |
The Study of Shakespearean Playbooks | 38 |
Thomas Heywood and the Playgoers Imagination | 46 |
When Did Melpomene Lose Her Identity? | 58 |
Rough or Smooth? | 74 |
Plays in Performance Stage and Film | 87 |
Performers Shakespeares Plays and the Uses of Theater | 89 |
Performing Apemantus in Shakespeares Timon of Athene | 111 |
Recent Feminist Productions of The Taming of the Shrew | 159 |
Two Postmodern Adaptations of Shakespearean Tragedies | 175 |
Robert Lepages Slippery Dream | 190 |
Portias House of Mystery Magic and Menace | 204 |
The Lady Vanishes or the Incredible Shrinking Gertrude | 217 |
Children in Productions of A Midsummer Nights Dream | 232 |
10 Things I Hate About You and O | 245 |
Notes on Contributors | 259 |
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