 Beginning with deep tones, it unfolds itself in gloom-inspiring harmonies, and truly reflects the impression which the gloom of an extensive wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through...  New Monthly Magazine, and Universal Register - 404 ページ1844全文表示 - この書籍について
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1840 - 658 ページ
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...person deprived of sight, who, on first hearing this introductioa, instantly exclaimed that the scene then actually represented on the stage must be a forest.'... | |
 | Boston professor - 1850 - 420 ページ
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...the opera, the grove of sacrifice, fitly delineated. Assured by this, the striking qualities of this tone-picture will still more forcibly suggest themselves... | |
 | Abraham Hayward - 1858 - 460 ページ
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...actually represented on the stage must be a forest." It is well known that the crown- prince of Hanover is suffering under a temporary deprivation of sight,... | |
 | Charles Dickens, William Harrison Ainsworth, Albert Smith - 1861 - 696 ページ
...wood produces on our feelings. Occasional glancing and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and thus...to the reader, when I mention the exclamation of a * Edinburgh Review, vol. Ixix. p. 199. t Ideen und Uetrachtungen iiber die Eigenschaften der Musik.... | |
 | 1862 - 432 ページ
...and disconnected tones appear to betoken light, breaking through the darkness of the grove ; and this is the first drop-scene of the opera — the grove...delineated. Assuredly the striking qualities of this tone picture will still more forcibly suggest themselves to the reader, when I mention the exclamation... | |
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