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( Cunneen n.d. ) Later in life , when Oljanna was the chief costume maker for the “ Song of Norway ” pageant , she used ballgown scraps to make Barbie doll gowns . She produced them in assembly line fashion and sold them at Manchester's ...
( Cunneen n.d. ) Later in life , when Oljanna was the chief costume maker for the “ Song of Norway ” pageant , she used ballgown scraps to make Barbie doll gowns . She produced them in assembly line fashion and sold them at Manchester's ...
40 ページ
followed the preeminence and codification of a Hardanger style that became emblematic of Norway , and the geometric beadwork harkened back to older and northern Norwegian design traditions . ( Colburn 1995 : 157 ) Gerharda wore the ...
followed the preeminence and codification of a Hardanger style that became emblematic of Norway , and the geometric beadwork harkened back to older and northern Norwegian design traditions . ( Colburn 1995 : 157 ) Gerharda wore the ...
46 ページ
12 The operetta “ Song of Norway , ” created by Robert Wright and George Forrest and opening in Los Angeles , California , in 1944 , “ drew upon the life and music of Norwegian composer Edvard Grieg ” as well as Norwegian nationalism ...
12 The operetta “ Song of Norway , ” created by Robert Wright and George Forrest and opening in Los Angeles , California , in 1944 , “ drew upon the life and music of Norwegian composer Edvard Grieg ” as well as Norwegian nationalism ...
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目次
Articles | 7 |
Mount Horebs Oljanna Venden Cunneen | 25 |
Performing the North Folk Culture Exoticism | 49 |
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書誌情報
| 書籍名 | Arv, 第 65 巻 NIF publications |
| 寄与者 | Kungl. Gustav Adolfs akademien (Uppsala, Sweden) |
| 出版社 | Almqvist & Wiksell., 2009 |
| 引用のエクスポート | BiBTeX EndNote RefMan |