spondence was partially resumed with Mr. Hill and Mr. Unwin, from the year 1776. It was during a solitary walk in the fields that he had a presentiment of his approaching attack, and it is to this remarkable impression that we owe the origin of the above admired composition. This hymn acquires a peculiar interest from the above incident as well as from the unshaken faith and submission which it inculcates under the darkest dispensations. It seems as if God were giving him a chart of the voyage through those seas of trouble which he was about to navigate. No man could have written this hymn unless under the influence of a real or supposed special dispensation; and one end perhaps designed by it was, that Cowper should not only convey instruction to his own mind, but be made the instrument of consoling others. Few hymns have been more admired or more fre quently quoted. It stands pre-eminent in that class which refer to the mysterious dealings of God, and is singularly qualified to invigorate the faith, to check the speculations of finite reason, and to lead the sufferer to repose on the unerring wisdom and goodness of God. We must be careful, at the same time, how we reason on these subjects. That impressions of approaching trials may be sent from God, and subsequently be realised, we are by no means prepared to deny ; but that they are often the occasion of fulfilling themselves, by acting strongly on a nervous temperament, we still more firmly believe. Again, that they frequently exist, and are not confirmed by the result, is well known. On the whole, we think reason as well as Scripture militates strongly against the doctrine of impressions. There is often an order and progression in them which, if minutely traced, prove their fallacy. Anxiety first suggests fear. A too great sensitiveness of feeling, an excursive imagination, and the want of a more vigorous exercise of faith next invest what was only imaginary, with reality. It thus acquires a form and existence, next expands into magnitude, and then rises into the power and ascendancy of an absorbing idea; till, by a final deception, the impression is attributed to a divine hand. But who does not see that it is more justly to be ascribed to morbid sensibility, to nervous excitement, and, most of all, to the want of a firmer confidence in the power and goodness of God? The language of Scripture is decidedly opposed to the theory of impressions. The Bible directs us never to indulge in anticipations of evil, and to "take no thought for the morrow." habitual trust in a superintending Providence will ever prove to be the best preservative against imaginary or real evil, and will fill the mind with the sweet calm of a holy and abiding peace. An In returning to the subject of the Olney Hymns, we may remark that those contributed by Cowper are, with some few exceptions, distinguished by excellences of no common kind. To the grace and beauty of poetical composition, they unite the sublimity of religious sentiment, and the tenderness and fervor of devotional feeling. The nearer approaches to the Deity, which constitute the communion of the soul with God, and in which the believer is able to contemplate him as a reconciled Father in Christ Jesus; the sufficiency of divine grace to pardon all our sins, and to renew and sanctify the soul; the aspirations of prayer for the attainment of these blessings, and the song of praise in the consciousness of their enjoyment; the faith that reposes every care on his promises, and realizes their covenanted truth; such are the subjects on which Cowper delights to dwell with a fervor which gives new wings to our devotion, and raises us above the enfeebling vanity of earthly things. To specify all the hymns which lay claim to our admiration, would far exceed the limits of our plan, and interfere with the judgment and discrimination of the reader. We cannot, however, avoid referring to the following;— "O for a closer walk with God;" "Ere God had built the mountains;" "The Lord will happiness divine;"" There is a fountain fill'd with blood;" "Hark, my soul, it is the Lord;" "God of my life, to thee I call;" and especially, "The billows swell, the winds are high." There is a character of experimental piety pervading the hymns of Cowper, which singularly adapts them to meet the feelings of the contemplative or tried Christian. The deeper and more secret emotions of the soul; the vicissitudes of joy and sorrow; the fears that depress, and the hopes that soothe and tranquillize the mind, are treated with a fidelity and pathos, that render Cowper emphatically the poet of the heart. His hymns possess one peculiar feature which powerfully engages our sympathies. They disclose the inward recesses, and deep exercises of his own mind. But the sorrows of Cowper are now ended. Every trace is obliterated, except the record of them which is stamped on his interesting page. He has entered within the vail, where the mysterious dispensations of Providence, which once cast their deep shade on his chequered path, are vindicated and explained. He has joined "the general assembly and church of the first-born, which are written in heaven, and an innumerable company of angels, and God, the judge of all, and the spirits of just men made perfect, and Jesus, the Mediator of the new covenant." There, freed from the sorrows and finite conceptions of erring reason, he unites with the redeemed of the Lord in that nobler song of praise," Unto Him that loved us, and washed us from our sins in his own blood, and hath made us kings and priests unto God and his Father; to him be glory and dominion forever and ever. Amen. THE OLNEY HYMNS. I. WALKING WITH GOD.-Gen. v. 24. OH! for a closer walk with God, Where is the blessedness I knew What peaceful hours I once enjoy'd! Return, O holy Dove, return! I hate the sins that made thee mourn, The dearest idol I have known, Help me to tear it from thy throne, So shall my walk be close with God, |