Catalogue of a loan collection of engravings & etchings by Francesco Bartolozzi and engravers of his school [by E.B. Nash.].

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29 ページ - that the honour and interest of our country require that we should hold our ground here as long as possible ; and, please God, I will maintain it as long as I can.
37 ページ - Blest as the immortal gods is he, The youth who fondly sits by thee, And hears and sees thee all the while Softly speak and sweetly smile.
41 ページ - Her ivory forehead full of bounty brave, Like a broad table did itself dispread, For Love his lofty triumphs to engrave, And write the battles of his great godhead: All good and honour might therein be read; For there their dwelling was. And when she spake, Sweet words like dropping honey she did shed; And twixt the pearls and rubies softly brake A silver sound, that heavenly music seem'd to make.
20 ページ - My Lords, his Majesty succeeded to an empire as great in extent as its reputation was unsullied. Shall we tarnish the lustre of this nation by an ignominious surrender of its rights and fairest possessions...
38 ページ - Me of my dearest love beguiles, Dashing the cup of sweet desire, And robb'st me of my golden lyre : Then, for with me thou wilt not stay, To faithless Phrygians speed'st away, Proud and assiduous to please Those sons of perfidy and ease. Me from the Muse thou wouldst detain, But all thy tempting arts are vain; Ne'er shall my voice forget to sing, Nor this right hand to touch the string : Away to other climes ! Farewell ! Leave me to tune the vocal shell.
49 ページ - Bartolozzi's name into the original drawing, but " this the elegant mind of the engraver caused him to omit, and he introduced the name of Cipriani.
11 ページ - ... difference, which is the following: If the freedom of the bitten line is preserved to the end, if it is not sacrificed to the formalism of the burin line, the work is properly described as an etching ; but if, on the contrary, the formal and severe character of the burin line predominates, if the burin-work overcomes the bitten work, and if the bitten work has been subordinate in its character from the beginning, then the result is properly called a burin-engraving. Keeping this distinction in...

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