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ブックス Yet observe, I do not mean to speak of the body and soul as separable. The man is... の書籍検索結果
" Yet observe, I do not mean to speak of the body and soul as separable. The man is made up of both : they are to be raised and glorified together, and all art is an expression of the one, by and through the other. All that I would insist upon is... "
Delsarte System of Expression - 78 ページ
Genevieve Stebbins 著 - 1887 - 271 ページ
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The Stones of Venice, 第 3 巻

John Ruskin - 1853 - 402 ページ
...which puts anyeyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the...is I," then the work becomes art indeed, perfect in honour, priceless in value, boundless in power. § vrr. Yet observe, I do not mean to speak of the...

Works, 第 11 巻

John Ruskin - 1887 - 696 ページ
...whether that which eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the...in honor, priceless in value, boundless in power. § vn. Yet observe, I do not mean to speak of the body and soul as separable. The man is made up of...

The Works of John Ruskin: The stones of Venice, v. 1-3

John Ruskin - 1887 - 644 ページ
...whether that which eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the...in honor, priceless in value, boundless in power. g vn. Yet observe, I do not mean to speak of the body and soul as separable. The man is made up of...

Ruskin's Principles of Art Criticism

Ida Maria Street - 1901 - 484 ページ
...itself, though the eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the...in honor, priceless in value, boundless in power. Queen of the Air, III, \\1o6, lo7, §106. First, of the foundation of art in moral character. Of course...

The Works of John Ruskin: The stones of Venice, the fall and examples of the ...

John Ruskin - 1904 - 620 ページ
...not." though the eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire; the moment this part of the...is I," then the work becomes art indeed, perfect in honour, priceless in value, boundless in power. § 7. Yet observe, I do not mean to speak of the body...

The Works of John Ruskin: The stones of Venice

John Ruskin - 1904 - 495 ページ
...not." though the eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire; the moment this part of the...is I," then the work becomes art indeed, perfect in honour, priceless in value, boundless in power. § 7. Yet observe, I do not mean to speak of the body...

Journal of the Photographic Society of London, 第 63 巻

1923 - 702 ページ
...itself, though the eyeball be sightless, and can gain in strength when the hand and foot are hewn off and cast into the fire — the moment this part of...the man stands forth with its solemn ' Behold, it is T ! ' then the work becomes art indeed, perfect in honour, priceless in value, boundless in power."...

The Stones of Venice, 第 3 巻

John Ruskin - 1925 - 576 ページ
...itself, though the eyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the man stands 1 I mean art in its highest sense. All that men do ingeniously is art, in one sense. In fact, we want...

The Stones of Venice -: The Fall

John Ruskin - 2013 - 529 ページ
...which puts anyeyeball be sightless, and can gain in strength when the hand and the foot are hewn off and cast into the fire ; the moment this part of the...is I," then the work becomes art indeed, perfect in honour, priceless in value, boundless in power. § vii. Yet observe, I do not mean to speak of the...




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