Lippincott's Magazine, 第 33 巻J.B. Lippincott and Company, 1884 |
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... artist's plan that these transmogrifications caused little more interruption to progress than those of the equestrian performer who dons and doffs half a dozen costumes while ca- reering in the ring . All this is amusing , now that ...
... artist's plan that these transmogrifications caused little more interruption to progress than those of the equestrian performer who dons and doffs half a dozen costumes while ca- reering in the ring . All this is amusing , now that ...
13 ページ
... artist , the artisan , and the clerk need not jostle each other . There remains room , too , for the critic . This last - named personage is apt to begin at a somewhat remote point on the outside , which will afford him a view of the ...
... artist , the artisan , and the clerk need not jostle each other . There remains room , too , for the critic . This last - named personage is apt to begin at a somewhat remote point on the outside , which will afford him a view of the ...
18 ページ
... artist may seek to be , error will slip into his work somewhere . He could not escape it by plunging in despair into the bald and intense realism of the descriptive and narrative paintings in the Egyptian tombs and temples , or of the ...
... artist may seek to be , error will slip into his work somewhere . He could not escape it by plunging in despair into the bald and intense realism of the descriptive and narrative paintings in the Egyptian tombs and temples , or of the ...
19 ページ
... artist's enthu- siasm is shown in their patient and exact elabo- ration . One is tempted to wish for more of this , and to hope that sundry blank spaces where it would come in well may be similarly panelled . We cannot speak in such ...
... artist's enthu- siasm is shown in their patient and exact elabo- ration . One is tempted to wish for more of this , and to hope that sundry blank spaces where it would come in well may be similarly panelled . We cannot speak in such ...
22 ページ
... artistic treat- ment , color will take more part in the embellishment than is the case be- low . Especially terior of the quadrangle . grateful is the tall semicircular base of the tower , after a long succession of vertical planes ...
... artistic treat- ment , color will take more part in the embellishment than is the case be- low . Especially terior of the quadrangle . grateful is the tall semicircular base of the tower , after a long succession of vertical planes ...
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Arthur Hoffman artist asked beautiful better Blunt boat Brenta called Charles de Sévigné charm Chestnut Hill Christabel color cried Crittenden dark dear door dress Easter English Eusebia eyes face father feel feet festival followed Francis Daniel Pastorius G. P. Putnam's Sons gave German Germantown girl give ground hand HAWAII PONOI head heard heart hills horses hour hundred Indian Ketchum Killcare lady laugh leave light lived look Lord Madame Madame de Sévigné Martinez ment mind Miss Dudley Morristown mother nature ness never night once Othello painted passed picture pretty replied Saloma Sebia seemed seen Sherborne side smile stood story Suakin tell thing thought tion told took town trees turned voice walk Westminster woman women words young
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507 ページ - Now, whether it be Bestial oblivion, or some craven scruple Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say, This thing's to do ; Sith I have cause and will and strength and means To do't.
109 ページ - They say he is already in the Forest of Arden, and a many merry men with him ; and there they live like the old Robin Hood of England. They say many young gentlemen flock to him every day, and fleet the time carelessly, as they did in the golden world.
116 ページ - So flash'd and fell the brand Excalibur : But ere he dipt the surface, rose an arm Clothed in white samite, mystic, wonderful, And caught him by the hilt, and brandish'd him Three times, and drew him under in the mere.
326 ページ - And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture ; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes.