The Hazards of Adopted Identity in Coriolanus, Macbeth, and The Winter's Tale

adopted identity archetypal artificial aspects aspiration Aufidius Autolycus Banquo becomes birth blood Bohemia Caesarean Camillo Cawdor child citizenry Cominius common humanity Coriolanus Corioli crime deed destroy Doppelgänger Duncan elevation Elizabethan fantasy fatal father final Florizel frailties garments hath Hercules hereditary identity Hermione Hermione's heroes heroic Iago ideal inner insists Ixyon Juno king King Lear L. C. Knights Lady Macbeth Lear Leontes literal London Lucien Goldmann Macduff man's martial Menenius metaphor metonymy mirror moral mother murder natural order night nullity Oedipal Othello pattern Paulina Perdita play play's political Polixenes Press procreative Prodigal quest rebirth regenerative regicide remarks Renaissance represents resembles rhetorical Richard Richard III role Roman Rome royal scene seeks seems self-elevated figures self-elevation sense sexual Shakespeare Sicilia similarly sleep sort speech status suggests sword symbolic theatrical thee thou tragedies trans transcend Univ unnatural usurpation Volumnia warns wife Winter's Tale witches womb