Captivity & Sentiment: Cultural Exchange in American Literature, 1682-1861University Press of New England, 1997 - 211 ページ In a radically new interpretation and synthesis of highly popular 18th- and 19th-century genres, Michelle Burnham examines the literature of captivity, and, using Homi Bhabha's concept of interstitiality as a base, provides a valuable redescription of the ambivalent origins of the US national narrative. Stories of colonial captives, sentimental heroines, or fugitive slaves embody a binary division between captive and captor that is based on cultural, national, or racial difference, but they also transcend these pre-existing antagonistic dichotomies by creating a new social space, and herein lies their emotional power. Beginning from a simple question on why captivity, particularly that of women, so often inspires a sentimental response, Burnham examines how these narratives elicit both sympathy and pleasure. The texts carry such great emotional impact precisely because they traverse those very cultural, national, and racial boundaries that they seem so indelibly to inscribe. Captivity literature, like its heroines, constantly negotiates zones of contact, and crossing those borders reveals new cultural paradigms to the captive and, ultimately, the reader. |
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... called the cultural anthropology of cap- tivity as a kind of economic exchange . 18 It is precisely such cross - cultural ex- changes that can produce a surplus able to contest and destabilize the pre- sumed autonomy and homogeneity of ...
... called the cultural anthropology of cap- tivity as a kind of economic exchange . 18 It is precisely such cross - cultural ex- changes that can produce a surplus able to contest and destabilize the pre- sumed autonomy and homogeneity of ...
33 ページ
... called the genre of the novel . Dialogism and the Novel The protofeminist content of Rowlandson's narrative , like its inconsistent and multiple narrative voices , results from the series of exchanges prompted by her captivity among ...
... called the genre of the novel . Dialogism and the Novel The protofeminist content of Rowlandson's narrative , like its inconsistent and multiple narrative voices , results from the series of exchanges prompted by her captivity among ...
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... called duty " ( 20 ) . 12. The fascination with Jane McCrea and her story apparently persisted well into the nineteenth century . An advertisement appearing in an 1853 retelling of her story offers " elegant Canes and Boxes " made out ...
... called duty " ( 20 ) . 12. The fascination with Jane McCrea and her story apparently persisted well into the nineteenth century . An advertisement appearing in an 1853 retelling of her story offers " elegant Canes and Boxes " made out ...
目次
Captivity Cultural Contact and Commodification | 10 |
Captivity Sympathy | 41 |
Republican Motherhood and Political Representation | 63 |
著作権 | |
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多く使われている語句
African agency Algonquin ambivalent American Literature Amerindian Anglo-American appears argues Atherton audience Bleecker's body border Boston British captive's captivity narratives captors Cassy characterized Charlotte Temple Cheney's Christian circulation claims concealed critical critique cultural exchange domestic Dustan's effect England English escape event Everell example experience female captivity feminist frontier romances gaze gender genre Hammon's Harriet Jacobs heroine Hope Leslie identification identity imagined imperialist Indian captivity insists Jacobs's Jane McCrea John Marrant King Philip's War liminal literary loophole Magawisca Marrant Mary Rowlandson maternal Miriam mother motherhood Pamela passive Pequot Pequot War political precisely Puritan racial readers relation representation republican republican motherhood resemblance resistance revolutionary rhetoric Rowlandson's captivity Rowlandson's narrative Rowson scene Sedgwick sentimental discourse sentimental novels slave narrative slavery story Stowe Stowe's strategies suggests sympathetic sympathy tears tion tive transcultural transgressive typology Uncle Tom's Cabin violence virtue Weetamoo woman women York