And to teach, by his own example, love and reverence to all things that God made and loveth. What loud uproar bursts from that door! O wedding-guest! this soul hath been So lonely 'twas, that God himself O sweeter than the marriage-feast, To walk together to the kirk To walk together to the kirk, And all together pray, While each to his great Father bends, Old men, and babes, and loving friends, Farewell, farewell! but this I tell He prayeth best, who loveth best The Mariner, whose eye is bright, Is gone and now the wedding-guest He went like one that hath been stunned, A sadder and a wiser man, 28 CHRISTABEL. PREFACE.* THE first part of the following poem was written in the year 1797, at Stowey, in the county of Somerset. The second part, after my return from Germany, in the year 1800, at Keswick, Cumberland. It is probable, that if the poem had been finished at either of the former periods, or if even the first and second part had been published in the year 1800, the impression of its originality would have been much greater than I dare at present expect. But for this, I have only my own indolence to blame. The dates are mentioned for the exclusive purpose of precluding charges of plagiarism or servile imitation from myself. For there is amongst us a set of critics, who seem to hold, that every possible thought and image is traditional; who have no notion that there are such things as fountains in the world, small as well as great; and who would therefore charitably derive every rill they behold flowing, from a perforation made in some other man's tank. I am confident, however, that as far as the present poem is concerned, the celebrated poets whose writings I might be suspected of having imitated, either in particular passages, or in the tone and spirit of the whole, would be among the first to vindicate me from the charge, and who, on any strik To the edition of 1816, ing coincidence, would permit me to address them in this doggerel version of two monkish Latin hexameters. "Tis mine and it is likewise yours; But an if this will not do ; Let it be mine, good friend! for I I have only to add, that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four. Nevertheless this occasional variation in number of syllables is not introduced wantonly, or for the mere ends of convenience, but in correspondence with some transition, in the nature of the imagery or passion. PART I. "Tis the middle of night by the castle clock, And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Is the night chilly and dark? The lovely lady, Christabel, Whom her father loves so well, A furlong from the castle gate? Of her own betrothed knight; And she in the midnight wood will pray For the weal of her lover that's far away. She stole along, she nothing spoke, The sighs she heaved were soft and low, The lady sprang up suddenly, |