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THE

POETICAL works

ROBERT SOUTHEY.

COMPLETE IN ONE VOLUME.

PARIS
PUBLISHED BY A. AND W. GALIGNANI,
N" 18, RUE vivienNE. *

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Contents.

Page

MEMOIR OF ROBERT SOUTHEY, ESQ. . vii

JOAN OF ARC . . . . . . . . i

Notes . . . . . . . . . 47

THE VISION OF THE MAID OF ORLEANS . . 79

Notes . . . . . . . . . . 87

THALABA THE DESTROYER . . . . . 89

Notes . . . . . . . . 144

MAD0C . . . . . . . . . . 196

Notes . . . . . . . . . . 270

the CURSE OF KEHAMA . . . . . . 305

Notes . . . . . . . . . . 349

RODERICK, THE LAST OF THE GOTHS. . . 384

Notes . . . . . . . . . . . 442

wAT TYLER, A DRAMATIC POEM . . 489

CARMEN TRIUMPHALE, for 1814 . . 497
Notes . . . . . . . . . . 499
CARMINA AULICA, written in 1814, on the Arri-
val of the Allied Sovereigns in England . 505

THE LAY OF THE LAUREATE; Carmen Nuptiale. 509

Notes . . . . . . . . . . 517

THE POET'S PILGRIMAGE TO WATERLOO . . 518

Notes . . . . . . . . . . 542

A TALE OF PARAGUAY . . . 548
Notes . . . . . . . . . . 571
A VISION OF JUDGMENT . . . 584
Notes . . . . . . . 597

MINOR POEMS.

To Edith Southey . . . . . Go?

To Mary Wollstonecraft . . . . . ib.

The Triumph of Woman ib.

Poems concerning the Slave TRADE.

Six Sonnets . . . . . 607-8

To the Genius of Africa . . . . . 608

The Sailor who had served in the Slave Trade ib.

Verses spoken in the Theatre at Oxford, on the

Installation of Lord Grenville. . 61 o

BotANY-BAY Eclogues.

Elinor . . . . . . . . . . ib.

Humphrey and William . . . . . 6: 1

John, Samuel, and Richard . . . . . 612

Frederic . . . . . . . . . 613

Soxx Ets. - - - 614-17

The AMATony Poems or ABEL SHUFFLEBorham.

Delia at Play . . . . . . . . 617

To a Painter attempting Delia's Portrait . . ib.

He proves the Existence of a Soul from his

Love for Delia . . . . . . . ib.

The Poet expresses his Feelings respecting a

Portrait in Delia's Parlour . . . . ib.

The Poet relateshow he obtained Delia's Pocket
Handkerchief. . . . . . . ib.

The Poet invokes the Spirits of the Elements

to approach Delia. He describes her singing. 618

- Page

The Poet expatiates on the Beauty of Delia's

Hair . . . . . . . . . 618

The Poet relates how he stole a Lock of Delia's

Hair, and her Anger . ib.

Songs of the AMERICAN INDIANs.

The Huron's Address to the pead . 619

The Peruvian's Dirge over the body of his

father . . . . . . . . . . ib.

Song of the Araucans during a Thunder-storm 620

Song of the Chikkasah Widow . . . . ib.

The Old Chikkasah to his Grandson . . 62 I

Inscriptions.

For a Column at Newbury . . . . . 621

For a Cavern that overlooks the River Avon . ib.

For a Tablet at Silbury-Hill . . . . . 622

For a Monument in the New Forest . . . ib.
For a Tablet on the Banks of a Stream ib.
For the Cenotaph at Ermenonville ib.
For a Monument at Oxford . . . . ib.
For a Monument in the Wale of Ewias ib.

Epitaph on Algernon Sidney . . . . ib.

Epitaph on King John . . . . . . 623

In a Forest - - - - - - ib.

For a Monument at Tordesillas . ib.

For a Column at Truxillo . . ib.

For the Cell of Honorius, at the Cork Convent,
near Cintra . . . . ib.
For a Monument at Taunton . . . ib.
For a Tablet at Penshurst . . . . . . ib.

Epitaph . . . . . . . . ". 624

Epitaph . . . . . . . . ib.

English Eclogues.

The Old Mansion-house . 624

The Grandmother's Tale . . 626

Hannah . . . . . . . . . 627

The Sailor's Mother . . . . . . ib.

The Witch . . . . . . . 628

The Ruined Cottage . . . . . . 63o
The Last of the Family . . . . . . 631

The Wedding . . . . . . . . 632

The Alderman's Funeral . . . . . 633

BALLADs AND METRical TALEs.

Mary, the Maid of the Inn . . . . 635

Donica . . . . . . . . . 636

Ruqiger . . . . . . . . . 637

Jaspar. . . . . . . . . . 639

Lool William . . . . . . . 641

The Cross Roads . . . . . . . 642

God's Judgment on a Bishop . . . . 643

The Pious Painter, Part I . . . . . 644

The Pious Painter, Part II . . . . . 645

St Michael's Chair . . . . . . . ib.

King Henry V and the Hermit of Dreux . . 646

A Ballad of a Young Man that would read un-
lawful Books, and how he was punished;

very pithy and profitable . . . . . 647

King Charlemain . . . . . . it.

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