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the house should be extremely small; and there- | disquisition, shewing a great architectural fore it is inadmissible in our Theatres. It is in knowledge, Mr. Wyatt thus proceeds : admissible as to the first point (namely, the enormons width of the stage-opening), for the rea- « Impressed by the importance of all the foresons which have been already stated (under the going considerations, I determined to adopt, in first head) upon that subject; and it is equally so my design for a Theatre, the form which I have upon the second point, because it is impossible to | described ; and although I was aware, at the time maintain a good Theatre, in this metropolis, upon when my drawings and model were first made, such a revenue as would accure from an extremely that a certain proportion of the spectators, in the small house.

Boxes nearest the stage, would have but an im“ So long as the public taste for spectacle | perfect view of the stage, I considered that as an shall continue (and it is not likely to cease), all unavoidable inconvenience in all Theatres, and the objections to increased stage-opening, and not greater in that projected by me, than in with it, the magnitude and expence of the all others; while, on the other hand, the scenery, must remain iu force ; and so long as our form which I had chosen, possessed many ad

Theatres shall be maintained by the money paid vantages, which could not be derived from any at the doors, it will be impossible to reduce the other shape. size of those Theatres below the scale of their ne “ The angles, however, to which I allude, in cessary expences.

the Boxes nearest to the stage, have appeared to “ The Greeks and Romans, in their Theatres, several persons who saw my model, as an impermade use of scarcely any change of scenes, fection in the design, and those persons seeming and their performances were given gratis to the to view the defect more in its positive, than in public; consequently their Theatres were not || its comparative bearing upon the perfection of a subject to many of those considerations which Theatre, I was led to reconsider, most attentively, attach to ours.

this particular part of the design ; and after a “ Under these circumstances, therefore, the ll great deal of reflection, and a variety of experisemicircle is totally inadmissible for a principal

ments, I determined to aller the shape, of that Theatre in London.

part of the Theatre adjacent to the stage, by "The oval and the horse-shoe, as well as some springing the proscenium from the back, instead fat-sided forms, have been supposed to be very

of from the front of the Boxes, as at C in the advantageous in point of vision ; but it is evident, annexed plan (No. 3, Plate No. 3.) and by that, in the oral, a large proportion of the specta

rounding off the fronts of the boxes nearest to the tors must be placed with their backs inclining to

stage, until they joined the wall which separates wards the scene; and that in all of them (if the the proscenium from the spectatory, at the honse be not of extreme small dimensions) the

points marked D in the same plan. By this front Boxes must be at a great distance from the

means I have contrived to display the scene stage ; for in proportion as the sides shall ap to the very last seats in the Boxes, without proximate each other, the front must recede, pro increasing the stage-opening at all beyond what vided the circumference be not varied.

I had before intended. The scene (except« The fact is, that there is no object connected ing in cases of spectacle) is seldom extended, with the formation of a Theatre, which, in all its in depth beyond thirty feet from the front bearings, is of more importance, than, that the line of the stage ; a reference to the red line part of the house, which faces the scene, should be || A, described upon the annexed plan, already alwithin a moderate distance from the stage: unless luded to, will show how large a proportion of that be the case, it is obvious, that a very large the scene will be visible to spectators sitting in proportion of the spectators must be excluded the seats which are the nearest to the stage, even from a clear and distinct view of that play of the when the scene shall be extended to the depth of features, which constitutes the principal merit of forty-two feet from the front line of the stage ; the actor, in many of the most interesting while the same persons will have the advantage scenes. If the actor's merit, in that particular, of sitting one above another, with their faces be pot fairly appreciated, he must of course, be de towards the stage, instead of sitting side by side prived of a proportionate share of the applause, upon the same level, and with their shoulders towhich might otherwise bave been bestowed on ward the scene. The part in the plan (No. 3,) him; and this mortifying want of encourage shows the small proportion of the scene which ment bringing with it a gradual and progressive

will not be visible to persons sitting on the seat defect of zeal and emulation, cannot fail, in the

before-mentioned. end, to reduce the number of good actors, and

"Nobody will deny the importance of this acmaterially to injure the state of dramatic per quistion with respect to vision, in a part of the formances.

house, where, in general, there is no view at all

of the stage. Having canvassed the different advan.

"In the Theatre at Parma (which is particularly tages of the oval, circular, semicircular, ll celebrated both for sound and vision), the frontisand horse-shoe forms of a Theatre, in a piece of the stage-opening is placed at a distance

of no less than forty feet from the termination of “In building our carly Theatres in this coun. the spectatory, for the purpose of opening a view try, little attention sceins to have been bestowed of the scene to the spectators sitting nearest to upon the means of favouring sound or vision in the stage ; and the width of the stage-opening the form of those Theatres. Their sides, were in that Theatre, with a view to the same desirable either nearly parallel, or diverging little from object, is extended to thirty-vine fcet, exceeding, each other; and if those Theatres had not been by four feet, the width which is given to that confined to very small dimensions (such as opening in my design. But it will appear by a would not be consistent with the present popula. reference to the annexed plan of that Theatre tion and condition of the metropolis), there can (No. 1, Plate No. 3), that when the scene shall be be no doubt that their forin would have been extended to the depth of forty-two feet from the found to be extremely defective. front of the stage, not so much of the scene will “The first gradation of improvement, in this. be visible to persons sitting at the termination of respect, appears to have been the introduction, the back seats on both sides of the spectatory, of the oval and the horse-shoe, by rounding off as is visible in the same positions according to ] the angles of the former shape ; and thus we my design, while, at the same time, the whole of have been approaching gradually to that form the forty-two feet between the spectatory and the which I now propose, and which deviates as little front line of the stage, in the former Theatre, is froin the ancient models of the Greek and Ro lost space.

man Amphitheatres, as the state of circumstances “The accompanying sketch of my plan (No.3, will admit. Plate No. 3), will prove its comparative advan | “The original Theatres in Drnry Lane and tages in this respect, over that which I have just Covent Garden, as well as the old Opera House, named. The parts tinted with yellow in the ac and Foote's Theatre in the Haymarket, were all: companying plans, Nos. I, and 3, (Plate No. 3), tlat-sided ; the latter (never having been re-built). together with the red line A, (describing the is so to this day. The late Theatre in Drary-lane visual rays from the last seats), show the propor- was nearly oval; and the present Opera House, tion of the scene which is not visible in either, is in the form of a horse-shoe. to persons sitting at the very extremity of the « There is one other point in a great degree circle; aud the parts tinted green shew the pro connected with the form and proportions of the portion of the scene which is visible to persons Theatre, to which I must advert before I entirely. sitting in those places.

conclude this part of the subject; namely, the “ A refereuce to the annexed plan (No. 2, height of the ceiling, Plate No. 3), which is in the form of a horse “In forming my design, it has been my object shoe, with the seats of the spectatory terminating 10 avoid raising the ceiling beyond the proportion, as has been usual in our. Thentre, against the which I think it ought, for the sake of sym:netry, blank wall which separates the boxes from thc | to bear to the area which it is to cover : that prostage; and with the proscenium springing from portion is, in my opinion, about 3-4ths of the the front, and not (as in my design), from the diameter of that area, but not less. back of the Boxes, will exemplify very fully the “In speaking of the area in this place, I wish comparative advantages which are attendant upon it to be understood, that I mean the open area, the form which I have given to the proscenium, bounded by the front line of the Boxes, and not and to the Boxes adjoining the proscenium. The li by the wall at the back of the Boxes; the former, part tinied yellow in this plan also, togetber with will always appear to be the area of the Theatre, the red line A, shows the proportion of the scene excepting to persons sitting in the highest row which is not visible to spectators sitting on the of Boxes; who will be too near to the ceiling to benches nearest to the stage; and the parts tinted judge at all of the relative proportions between green sbows the proportion which is visible to the beight of the ceiling and the breadth of the those spectators.

Theatre. « In discussing this subject, I have hitherto

"I do not believe that the height of the ceiling confined myself to those considerations, con- || can, in any degree, injure or aflect the sound of nected with the form of a Theatre, which ap- the voice in the lower parts of the Theatre; it. pertaia directly to the two primary objects of may materially assist in conducting the sound distinct sound and vision; and I trust that I have

into those parts of the honse which are nearest to shown completely, that there is no admissible it; but it must, in every Theatre, be much too form so well calculated to secure those objects, i high to act as a reverberator, or sounding-board, as that which I have adopted in my design, buill to the lower parts of the house. there is another consideration of great import

« If this were not the fact, the voice would be a ace, which appertains to the form which I have quite indistinct and inaudible in a cathedral chosen, and which does not relate to either of the church, where the roof is at a vast heighi, the objects above-mentioned ; namely, its decided form of that roof not calculated for direct rever. superiority over every other form in point of beration of sound; and the person utiering the beauty; for a circle is a form wbich will never sound, at the reading-desk, piaced in a situation weary or distress the eye.

by no meaps so well calculated to convey the

RECOGG

sound of his voice generally among his auditors that respect would be likely to produce inconveas that in which an actor upon the stage is placed; /nient pressure or obstruction. In the staircases, yet we know that, even under all these circum- || for instance, leading to the two Galleries, I have stances, the voice is heard, in most of the cathe | taken off all angles upon the landings, making dral churches, quite as well as it is in many cha those landings, throughout, exactly the same pels; which is a positive proof that a low ceiling width as the steps ; so that whatever crowd may, is not essential to the strength and clearness of at any time, find its way into either of those sound in a Theatre.

channels, will pass through it, whether ascending “If it were necessary to support this opinion by or descending, without impediment or dauger; further argument, the Whispering Gallery, in while persons going to the Pit will reach the floor St. Paul's Cathedral, rould serve as an additional of that part of the house, without meeting with a proof that souud may be distinctly heard in a very single step, excepting those at the external doors Inrge enclosed area (provided that area be in itself ll of the Theatre. so constructed as to facilitate the conveyance of

“All the door-ways throughout these parts of sound), without any direct reverberation from the house are from five to six feet wide, accordabove : the great height of the dome above the || ing to circumstances; the steps and landings of floor of the Whispering Gallery, together with ll the staircases to the Galleries are five feet, and the large aperture in the centre of the dome itself, I those to the Boxes six; the staircases to thie are sufficient to demonstrate, that the extraor Galleries, as well as those to the Boxes, are to be dinary effect of sound, in the Whispering Gal of stone. In the great stone staircase leading to Jery, ia, in no degree, produced by reverberation the Boxes; the ascent is first in one flight, and from above,

then in two ; and so on alternately to the top; “Under this conviction I have been influenced the centre flights being exactly double the width in the height at which I have fixed the ceiling, by of the side flights throughout; so that the conthe proportion which appeared to me to be most || flux of persons from the side fights never can in symmetry with the area to be covered by that choak or obstruct the centre flights; and ceiling.

these staircases are capable of containing upon “The open area within the front line or breast their own steps and landings a greater number of work of the Boxes, is 58 feet from side to side persons by one-third, than the whole of the Boxes upon the level of the dress Boxes; upon the level can contain; consequently the ingress and egress of the two upper tier of Boxes it is three feet || to and from the Boxes never can be obstructed more, making together 61 feet; and the height for want of room upon the staircases : the whole of the ceiling, from the centre of the Pitt, is 48 | of the Boxes are capable of containing one thoufeet, or two feet three inches more than 3-4ths of || sand one hundred and ninety-two persons; and the open area of the Theatre, within the breast tbc two stajscases in question will jointly contain work of the second tier of Boxes. The height of one thousand eight bundred and thirty-two perthe ceiling in the late Theatre in Drury-Lane sons; the two-shilling Gallery is calculated to was 56 feet 6 inches, or 8 feet 6 inches more than

contain four hundred and eighty-two persons ; the height which I have given to that part in my

and the two staircases leading to it will contain

eight hundred and sixty-eight persons; the onedesign

shilling Gallery contains space for two laundred Mr. Wyatt then passes to the important and eighty-four spectators; and the two stair. consideration of the accommodation of the cases leading to that gallery will contain nine public in iugress and egress.

hundred and forty-eight persons; allowing (as

in both the preceding iustances) as much room “The FacilITY OF INGRESS AND EGRESS. Il to each person as they are supposed to oecupy -One of the first principles, which I prescribed | when sitting in the Theatre ; and of course more to inyself in providing for the facility of ingress || than they would really occupy upon a crowded and egress, was to attach similar approaches and staircase. accommodation to each side of the house re " The avenues and door-ways leading to the spectively; thus, whatever doors of entrance, Pit, being no where less than six feet wide, and staircases, avennes, &c. are provided for one side being throughout (from the Pit floor to the exof the house, the same precisely are provided for ternal doors of the Theatre) upon the same level, the other side.

the persons going to or from that part of the “ In pursuing these principles of convenience house can, at no time, be exposed to any difficulty and security, I have been careful to separate the or danger in passing in or out. external doors of entrance, to the several parts of “ Adverting to the respectability of many perthe house, as much as I could, consistently with

sons who go occasionally to the Theatre at the other important objects; and I have made all second price, and considering the inconvenience those external doors, as well as the internal to which such persons have hitherto been ex, doors, the staircases, and the avenues, as wide as posed, by waiting for the time of admission, possible, taking particular care to preserve an

either out of doors, or among the servants in the equality of width in all parts where disparity in

I hall, I have been led to provide a remedy for this inconvenience; and have, in my plan, made an ascend the same staircases (to a certain height), arrangement for admitting those persons, at any as those going to any of the Boxes above ; but period of the performance, to a well-aired com- having passed the first flight of the staircases, fortable room, where, after having paid their they will enter the corridor immediately at the money, they may be at liberty to wait the uncer-, back of the Dress Boxes, and will then be taid time of what is called “half-price;" an ac- quite separated from the rest of the house, commodation which is estimated (by persons well and not at all liable to any molestation; there acquainted with these matters), to be capable of being no lobby, coffee-room, or lounging-place attracting an additional £20 per night, which, of any description, to lead to this part of the for two hundred nights, is £4000 per annum 1 bouse any of those persons who would be a « DECORUM. Among the principal objects'

1 nuisance to it. which call for reform, in the Theatres in London,

“ According to the above principles, I hare po one appears to be much more important, than

not only provided a ready access to the Dress that of protecting the more rational and re

Boxes, and refrained from placing near thein spectable class of spectators from those nuisances

any lobby, or room, which might serve as a to which they have hitherto been exposed, by

receptacle for persons who could not have seats being obliged to pass through lobbies, rooms,

in those Boxes ; but I have, upon the next and avenues, crowded with the most disreputable

floor, provided a spacious and handsome suite members of the community, and subject to scenes

Il of rooms, which will unquestionably attract of the most disgusting indecency.

all those whom it is desirable to remove from “ An avowed exclusion of any particular class

below stairs. of people, from either part of the house (ex

" There is one other circumstance, which I cepting the private Boxes) would be utterly im

must mention, as materially appertaining to good practicable ; and therefore the best plan is to

order and decoram within the Theatre ; namely, form an arrangement, which shall virtually

the equal depth of the Boxes throughout the amount to an exclusion of those whom it is de

house. I have (as before stated), made the wall sirable to exclude, without any declared inten

at the back of the Boxes, in my plan, concentric tion of so doing

|| with the breastwork or front of the boxes ; and “ As an indispensible provision towards the ac

consequently, the distance from one to the other complishment of this desirable object, I have, in

must be equal in all parts of the Theatre , the my plan, entirely abolished those Boxes which

result of which is, that there will be no gloomy have hitherto been placed immediately at the

recess in any part of the Boxes, to favour the back of the Dress Circle; (and which are

riotous or improper proceedings of disorderly pervulgarly called the Basket Boxes.) It is very

sons; every one will be brought in full view well known to every one, who has been in the habit

of the house, and within the light of the chan. of frequenting the Theatres, that the women of

deliers ; and, that being the case, many will the town nerer hire, or attempt to appear in

be held in awe of observation, who might otherwhat are called the Dress Boxes; and that

wise have disturbed the house by noisy and licenthe ladies who do occupy those boxes, would

tious conduct. be enabled to go to the play with great comfort

“ It is notorious that the Basket Boxes, and and security, if it were not for the nuisances

the dark back seats above stairs, are almost the to which they are liable in passing to and from

only places where riot or quarrel take place. their Boxes.

“I have now discussed the several parts of my “ The Basket, therefore, being abolished,

design, under the four distinct heads which I, at and no lobbies, coffee-rooms, or other ap

first proposed; and in defining the principles pendage of that description, being placed con

stating the facts-describing the comparisonstiguous to the Dress Circle, nor within a con

and asserting the advantages, connected with that siderable distance from it, the women of the

design, it has been my endeavour to avoid all partown and all the most disorderly spectators, will !| tiality or prejudice; and to represent with clearfind that part of the house so ill adapted to ||

ness, precision, and truth, every circumstance, to

which I have bad occassion to advert, in the course their convenience, that they will totally desert || it, and naturally resort to whatever part of the l of the discussion. If those principles bave been house shall furnish the accommodation which

justly defined ; if those facts have been correctly

Il stated ; if those comparisons have been truly they require. “ The saine considerations, which I have

Il described ; and if those advantages have not stated, as a reason for refraining froin an avow

been exaggerated, four manifest conclusione ed exclusion of any particular class of the com

obviously follow:munity, must, of course operate against appro « First. That the size or capacity of the priating to the exclusive use of this circle of Theatre, as governed by the width of the prosBoxes a separate entrance and staircase. Ac- cenium or stage-opening, and by the pecuniary cording to my plan, those persons going to the return to be made to those persons, whose pro. Dress Boxes will enter at the same doors, and perty may be embarked in the concera, is the

largest, and therefore the best, which can be of great importance to the interest of the Theatre, adopted.

is provided for, to an extent which cannot fail to « Secondly.—That the form or shape of the raise the reputation of the Theatre, and essenTheatre, as connected with the primary objects tially to benefit the interests of the public, as of distinct sound and vision, is, independently of well as of those immediately concerned in the its advantages in point of beauty, incomparably

profits of the Theatre.” superior to any other form. Is Thirdly. That the facility of ingress and ||

Such are the principles upon which the egress, as materially affecting the convenience of new Theatre is to be constructed. They those going to every part of the house respec- li are at ouce full of novelty and science. tively: as well as their lives, in cases of sudden | They comprehend

|| They comprehend the amusement (together accident or alarm, is secured to a much greater

| with that which has been always thought degree, than has usually been the case in the Theatres of this metropolis.

an impossible combination), the purity and « Fourthly.-That derorum among the seve decorum of public places. They do great ral classes of visitants to the Theatre, as es- honour to the architectural genius aıd the sential to the accommodation of the inore re- moral taste of Mr. Wyatt, spectable part of those vistants, and consequently,

ZARA; OR THE ADVENTURES OF AN ENGLISHI WIFE.

The faint glimmering of the moon on the ed to expose her to the dangers of the sea lie surface of the waters is not more uncertain resolved at last to take her with him. Elvira, thau the cobdition of human life Let the who could not support the thought of being sous and daughters of a fiction rective com Il separated from her husband, rejoiced in the fort from hope; let not the happy boast tool resolution he had taken. They embarked at much of their prosperity, nor the miserable Portsmouth, and a favourable wind seemed to sink into despondency and despair. Virtue promise them a safe and speedy passage; but bas always a resource in Providince, which fortune had devoted them to disasters which improves the blessings and mitigates the evils they did not foresee. of life. We are about to relate a tale which the vessel was on a sudden attacked by a occurred in the beginning of the seventeenth Tunisian pirate. The dispute, in which the century, when the pirates of Tunis were the Colonel fought like a lover and an Englislımost dangerous and rapacious of maritime man, was long and obstinate, but being at last states.

overposerca hy numbers, ihe pirates made After two years' constant attendance, Er-themselves masters of the vessel. How shall nestus obtained his mistress in marriage. The l we paint the despair of Elvira and the distress parents of this beautiful lady bad for a long of the Colonel? He was wounded in the arm, time opposed the happiness of Ernestus, who and his lovely w fe was by his side when the was a man of but small fortune; but being corsairs bo rded the vessel. The Tunisian at last appointed Colonel of a regiment, and Captais was struck with the noble air of the ther in the road to preferment, as he was na. Colonel and the beauty of Elvira. The ma. turally a brave and intrepid man, they con tural say. geness and barbarity vanished in a sented to bestow on lijm their daughter. moment from the breast of the Captain, wbo

Marriage, so far from diminisbing the len | ou tbe sight of his illustrious captives ordered derness of the Colonel, increased his affection, ll the greatest care to be taken of the Colonel, and the possession of Eivira appeared to him and the utmost respect paid to Elvira. as the most inestimable treasure. In the The pirates, contented with what they had midst of Ibis scene of delight, he was ordered || taken, instantly made for Tunis; where they with bis regiment to Minorca, where be was no soover arrived than they began to think of to remain ju garrison for some time. The ll making a division of their prize. As the Co. idea of being separated from bis E vira over. Y lonel and his lady had not been separated whelmed him with grief; and though he fear." during the voyage, tbey were in hopes they

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