Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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... arts , painting only and fculpture are in their nature imitative . A field laid out with taste , is not a copy or imitation of nature , but na- ture itself embellished . Architecture deals in o- riginals , and copies not from nature ...
... arts , painting only and fculpture are in their nature imitative . A field laid out with taste , is not a copy or imitation of nature , but na- ture itself embellished . Architecture deals in o- riginals , and copies not from nature ...
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... arts , I propofe to " handle in separate chapters * . " Better thus : " Some emotions more peculiarly connected with " the fine arts , are proposed to be handled in fe- แ parate chapters . " I add another error against perfpicuity ...
... arts , I propofe to " handle in separate chapters * . " Better thus : " Some emotions more peculiarly connected with " the fine arts , are proposed to be handled in fe- แ parate chapters . " I add another error against perfpicuity ...
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... art : the great nicety in all languages is , to exprefs the various relations that connect together the parts of the thought . Could we fuppofe this branch of language to be ftill a fecret , it would puzzle , I am apt to think , the ...
... art : the great nicety in all languages is , to exprefs the various relations that connect together the parts of the thought . Could we fuppofe this branch of language to be ftill a fecret , it would puzzle , I am apt to think , the ...
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... art of pronouncing with propriety and grace , being calculated to make the found an e- cho to the fenfe , fcarce admits of any other ge- neral rule than that above mentioned . It may indeed be branched out into many particular rules and ...
... art of pronouncing with propriety and grace , being calculated to make the found an e- cho to the fenfe , fcarce admits of any other ge- neral rule than that above mentioned . It may indeed be branched out into many particular rules and ...
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... arts , as well as in morals , improves daily ; and makes a progrefs , flowly Indeed , but uniformly , toward perfection ; and there is no reafon to doubt , that rhyme , in Bri- tain , will in time be forc'd to abandon its unjust ...
... arts , as well as in morals , improves daily ; and makes a progrefs , flowly Indeed , but uniformly , toward perfection ; and there is no reafon to doubt , that rhyme , in Bri- tain , will in time be forc'd to abandon its unjust ...
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abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
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184 ページ - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
327 ページ - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
234 ページ - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
277 ページ - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
234 ページ - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
312 ページ - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
235 ページ - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
332 ページ - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
432 ページ - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
277 ページ - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...