Complete Works, 第 23 巻Doubleday, Page, 1914 |
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ain't aloft amongst Archie arms asked Baker began Belfast bloomin boatswain breath bunk cabin Captain Allistoun chap Charley chest chief mate cold cook crawled Creighton cried crowd dark deck Donkin door dunnage eyes face feet fo'c'sle forecastle foresail forward galley gaze glance groaned growled grunted hands hard head heard hearts heavy hung James Wait Jimmy Jimmy's Jimmy's head JOSEPH CONRAD Knowles leaped legs light lips looked loud master mate moved murmur muttered Narcissus nigger night noise oilskin Ough overboard planks poop rolled rope round rush sailmaker sails seaman seemed seez shadows ship ship's shook shoulder shouted side sighed silence Singleton sleep smile spoke stared stir stood stream sudden suddenly sunshine swung thing thought tobacco smoke tone turbed turned voice Wamibo watch waves whispered wind words yelled
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xiii ページ - All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions.
xiv ページ - ... awaken in the hearts of the beholders that feeling of unavoidable solidarity ; of the solidarity in mysterious origin, in toil, in joy, in hope, in uncertain fate, which binds men to each other and all mankind to the visible world.
xii ページ - ... the subtle but invincible conviction of solidarity that knits together the loneliness of innumerable hearts, to the solidarity in dreams, in joy, in sorrow, in aspirations, in illusions, in hope, in fear, which binds men to each other, which binds together all humanity — the dead to the living and the living to the unborn.
xiii ページ - ... it is only through an unremitting never-discouraged care for the shape and ring of sentences that an approach can be made to plasticity, to colour, and that the light of magic suggestiveness may be brought to play for an evanescent instant over the commonplace surface of words: of the old, old words, worn thin, defaced by ages of careless usage.
xv ページ - In that uneasy solitude the supreme cry of Art for Art itself loses the exciting ring of its apparent immorality. It sounds far off. It has ceased to be a cry, and is heard only as a whisper, often incomprehensible, but at times and faintly encouraging.
xiii ページ - It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music — which is the art of arts.
29 ページ - The passage had begun, and the ship, a fragment detached from the earth, went on lonely and swift like a small planet. Round her the abysses of sky and sea met in an unattainable frontier. A great circular solitude moved with her, ever changing and ever the same, always monotonous and always imposing.
xiv ページ - My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel — it is, before all, to make you see...
90 ページ - ON men reprieved by its disdainful mercy, the immortal sea confers in its justice the full privilege of desired unrest. Through the perfect wisdom of its grace they are not permitted to meditate at ease upon the complicated and acrid savour of existence...
xii ページ - His appeal is made to our less obvious capacities: to that part of our nature which, because of the warlike conditions of existence, is necessarily kept out of sight within the more resisting and hard qualities— like the vulnerable body within a steel armour.