Essays on Song-writing: With a Collection of Such English Songs as are Most Eminent for Poetical MeritW. Eyres, 1774 - 286 ページ |
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... passion smother AELL me no more I am deceiv'd T Tell me not I my time mispend Tell my Strephon that I die 150 259 251 214 * 73 255 271 260 267 131 23 % 235 169 157 The Graces and the wand'ring Loves 250 The heavy hours are almost past ...
... passion smother AELL me no more I am deceiv'd T Tell me not I my time mispend Tell my Strephon that I die 150 259 251 214 * 73 255 271 260 267 131 23 % 235 169 157 The Graces and the wand'ring Loves 250 The heavy hours are almost past ...
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... fhepherds , henceforward be mute , For loft is the pastoral strain ; So give me my CORYDON's flute , And thus - let me break it in twain . CUNNINGHAM . f III . ESS A Y Ο Ν PASSIONATE AND DESCRIPTIVE 102 BALLADS , & c .
... fhepherds , henceforward be mute , For loft is the pastoral strain ; So give me my CORYDON's flute , And thus - let me break it in twain . CUNNINGHAM . f III . ESS A Y Ο Ν PASSIONATE AND DESCRIPTIVE 102 BALLADS , & c .
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... PASSIONATE AND DESCRIPTIVE SON G S. HE poet's rapturous descriptions of TH beauty , with the expreffion of his warm fenfations and emotions , are the fubjects of this clafs of fong - writing . Its models exift in the claffical remains ...
... PASSIONATE AND DESCRIPTIVE SON G S. HE poet's rapturous descriptions of TH beauty , with the expreffion of his warm fenfations and emotions , are the fubjects of this clafs of fong - writing . Its models exift in the claffical remains ...
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... , but grace and dignity belonged to Greece and Rome alone . Fancy , in her wildest flights , could in them reftrain herfelf within the limits of harmony harmony and proportion . Even fuperfti- tion here wore a 104 ON PASSIONATE AND.
... , but grace and dignity belonged to Greece and Rome alone . Fancy , in her wildest flights , could in them reftrain herfelf within the limits of harmony harmony and proportion . Even fuperfti- tion here wore a 104 ON PASSIONATE AND.
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... , both these designs have their place . The poetical defcripti- on of a fair form requires the comparison of every kindred object of delight , and the richeft 1 richeft colouring that art can beftow . The expreffion 105 ON PASSIONATE AND.
... , both these designs have their place . The poetical defcripti- on of a fair form requires the comparison of every kindred object of delight , and the richeft 1 richeft colouring that art can beftow . The expreffion 105 ON PASSIONATE AND.
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Anacreon antient ballad beauty becauſe bleffing bleft bofom breaſt CELIA charms CHLOE circumftance compariſon compofition cruel dear defire deſcription deſpair eaſe Engliſh epigram expreffion eyes fair fancy fatire feek feem fentiment fhade fhall fhepherd fhould figh fimple fimplicity fince fing firſt fmiles foft fome fond fong fong-writing forrows foul ftill fubject fuch furprize fwain fweet gentle give grace heart itſelf kind know my love laſt lefs lover Lyric Lyric poetry maid meaſure moft moſt mufic muft muſt nature ne'er nymph o'er paffion paftoral pain paſt PHYLLIS pieces pity pleafing pleaſe pleaſure poetical poetry praiſe purpoſe racter reft Sappho ſcene ſhall ſhe SOAME JENYNS ſpeak ſpread ſpring ſtay ſtill ſtrain ſwain ſweet taſte tears tell tender thee thefe theſe thofe thoſe thou thought thouſand thro tivation treaſure Twas uſed vows whofe Whoſe wiſh youth