to seize the Colonel and carry him off; but as this seems to have been totally impracticable, it is rather probable that his intention was to kill him on the spot, and in the midst of the confusion to escape. Whatever his intention was, it was frustrated, for Briggs happened to be elsewhere.

"The congregation, as might be expected, was thrown into great confusion on seeing an armed man on horseback make his appearance among them; aud the Major, taking advantage of their astonishment, turned his horse round, and rode quietly out. But having given an alarm, he was presently assaulted as he left the assembly, and being seized, his girths were cut, and he was unhorsed.

"At this instant his party made a furious attack on the assailants, and the Major killed with his own hand the man who had seized him, clapped the saddle, ungirthed as it was, upon his horse, and, vaulting into it, rode full speed through the streets of Kendal, calling his men to follow him; and, with his whole party, made a safe retreat to his asylum in the lake. The action marked the man. Many knew him: and they who did not, knew as well from the exploit that it could be nobody but Robin the Devil."

END OF NOTES TO ROKEBY.

THE

VISION OF DON RODERICK.

Quid dignum memorare tuis, Hispania, terris,

Vox humana valet!

CLAUDIAN. Laus Serena, v. 50.

[The Vision of Don Roderick appeared in 4to, in June, 1811; and in the course of the same year was also inserted in the 2d volume of the Edinburgh Annual Register-which work was the property of Sir Walter Scott's then publishers, Messrs. John Ballantyne and Co.]

PREFACE

ΤΟ

THE VISION OF DON RODERICK.

THE following Poem is founded upon a Spanish Tradition, particularly detailed in the Notes; but bearing, in general, that Don Roderick, the last Gothic King of Spain, when the Invasion of the Moors was impending, had the temerity to descend into an ancient vault, near Toledo, the opening of which had been denounced as fatal to the Spanish Monarchy. The legend adds, that his rash curiosity was mortified by an emblematical representation of those Saracens who, in the year 714, defeated him in battle, and reduced Spain under their dominion. I have presumed to prolong the Vision of the Revolutions of Spain down to the present eventful crisis of the Peninsula; and to divide it, by a supposed change of scene, into THREE PERIODS. The FIRST of these represents the Invasion of the Moors, the Defeat and Death of Roderick, and closes with the peaceful

occupation of the country by the Victors. The SECOND PERIOD embraces the state of the Peninsula, when the conquests of the Spaniards and Portuguese in the East and West Indies had raised to the highest pitch the renown of their arms; sullied, however, by superstition and cruelty. An allusion to the inhumanities of the Inquisition terminates this picture. The LAST PART of the Poem opens with the state of Spain previous to the unparalleled treachery of BONAPARTE; gives a sketch of the usurpation attempted upon that unsuspicious and friendly kingdom, and terminates with the arrival of the British succours. It may be farther proper to mention, that the object of the Poem is less to commemorate or detail particular incidents, than to exhibit a general and impressive picture of the several periods brought upon the stage.

I am too sensible of the respect due to the Public, especially by one who has already experienced more than ordinary indulgence, to offer any apology for the inferiority of the poetry to the subject it is chiefly designed to commemorate. Yet I think it proper to mention, that while I was hastily executing a work, written for a temporary purpose, and on passing events, the task was most cruelly interrupted by the successive deaths of LORD PRESIDENT BLAIR,1 and LORD

The Right Hon. Robert Blair of Avontoun, President of the Court of Session, was the son of the Rev. Robert Blair,