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The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine ;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,

The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

Darkling I listen; and for many a time

I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath;

Now more than ever seems it rich to die,
To cease upon the midnight with no pain,~
While thou art pouring forth thy soul abroad
In such an ecstacy!

Still wouldst thou sing, and I have ears in vain

To thy high requiem become a sod.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when sick for
home,

She stood in tears amid the alien corn;
The same that oft-times hath

Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

Forlorn! the very word is like a bell

To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well

As she is famed to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades:

Was it a vision, or a waking dream?

Fled is that music:-do I wake or sleep?

ODE ON A GRECIAN URN.

THOU still unravish'd bride of quietness!
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both,

In Tempe or the dales of Arcady? [loath? What men or gods are these? what maidens What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd,

Pipe to the spirit ditties of no tone:

Fair youth, beneath the trees, thou canst not leave

Thy song, nor ever can those trees be bare;

Bold Lover, never, never, canst thou kiss, Though winning near the goal-yet, do not grieve;

She cannot fade, though thou hast not thy

bliss,

For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,

For ever piping songs for ever new ;
More happy love! more happy, happy love!
For ever warm, and still to be enjoy'd,
For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high sorrowful and
cloy'd,

A burning forehead, and a parching
tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands
drest?

What little town by river or sea-shore,
Or mountain-built with peaceful citadel,

Is emptied of its folk, this pious morn?
Ah! little town, thy streets for evermore
Will silent be; and not a soul to tell

Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of
thought

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As doth eternity: Cold Pastoral !
When old age shall this generation waste,

66

Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou

say'st,

Beauty is truth, truth beauty,”—that is all

Ye know on earth, and all ye need to know.

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