The Shakespeare Key: Unlocking the Treasures of His Style, Elucidating the Peculiarities of His Construction, and Displaying the Beauties of His Expression; Forming a Companion to "The Complete Concordance to Shakespeare".S. Low, Marston, Searle & Rivington, 1879 - 810 ページ |
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vii ページ
... present work is that it places collectively before the eye comparative evidence heretofore scattered in notes , glossaries , and other forms of animadversion on Shakespeare's style ; so that it may be seen at one view how he uses the ...
... present work is that it places collectively before the eye comparative evidence heretofore scattered in notes , glossaries , and other forms of animadversion on Shakespeare's style ; so that it may be seen at one view how he uses the ...
13 ページ
... present passage , as in the case objected to by Johnson from " I Henry IV . , " ii . 4 ; and though the same defence cannot be set up for the poet here as we advanced for him there , yet it may be urged that he merely names a weapon ...
... present passage , as in the case objected to by Johnson from " I Henry IV . , " ii . 4 ; and though the same defence cannot be set up for the poet here as we advanced for him there , yet it may be urged that he merely names a weapon ...
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... present me Death on the wheel , or at wild horses ' heels ; Or pile ten hills on the Tarpeian rock . - Ibid . , iii . 2 . was Malone takes great pains to show that neither breaking on the wheel nor tearing to pieces by wild horses were ...
... present me Death on the wheel , or at wild horses ' heels ; Or pile ten hills on the Tarpeian rock . - Ibid . , iii . 2 . was Malone takes great pains to show that neither breaking on the wheel nor tearing to pieces by wild horses were ...
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... present instance . [ See CLOSING SCENES : BRIEF SCENES . ] Thou wouldst have poison'd good Camillo's honour , To have him kill a king.-W. T. , iii . 2 . Malone scoffingly inquires , " How should Paulina know this ? No one had charged ...
... present instance . [ See CLOSING SCENES : BRIEF SCENES . ] Thou wouldst have poison'd good Camillo's honour , To have him kill a king.-W. T. , iii . 2 . Malone scoffingly inquires , " How should Paulina know this ? No one had charged ...
19 ページ
... present state of fluster , York confusedly recalls the circumstance with the incoherence and agitation that characteristically mark his utterance at this perplexing juncture . But which of you was by ( You , cousin Nevil , as I may ...
... present state of fluster , York confusedly recalls the circumstance with the incoherence and agitation that characteristically mark his utterance at this perplexing juncture . But which of you was by ( You , cousin Nevil , as I may ...
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All's Antony bear better bring brother Cæsar Cassio comes Coriol Coriolanus Cymbeline daughter dead dear death Desdemona dost doth dramatist duke elliptically express eyes fair father fear Folio following passage fool friends gentle give gleek gone Gower grace Guiderius Hamlet hand hath head hear heart heaven hither hold honour hour Iago Ibid implied keep king knave lady Lear look lord Love's Labour's Lost Lysimachus Macb Macbeth madam Mark Antony master means Merry mistress ne'er never night noble o'er Othello Pericles phrase play Plutarch Pompey poor pray present prince queen Romeo Romeo and Juliet Rosaline scene sense Shakespeare soul speak speech stand sweet sword tell thee There's thine things thou art thou hast thought Timon to-morrow to-night tongue Tybalt unto VIII word
人気のある引用
90 ページ - Moves like a ghost. Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time Which now suits with it.
613 ページ - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
734 ページ - tis slander ; Whose edge is sharper than the sword ; whose tongue Outvenoms all the worms of Nile ; whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states, Maids, matrons, nay, the secrets of the grave This viperous slander enters.
676 ページ - The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
612 ページ - My hounds are bred out of the Spartan kind, So flew'd, so sanded ; and their heads are hung With ears that sweep away the morning dew ; Crook-knee'd, and dew-lapp'd like Thessalian bulls ; Slow in pursuit, but match'd in mouth like bells, Each under each.
72 ページ - I am not yet of Percy's mind, the Hotspur of the north ; he that kills me some six or seven dozen of Scots at a breakfast, washes his hands, and says to his wife. — " Fie upon this quiet life! I want work.
429 ページ - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
674 ページ - Neither a borrower nor a lender be ; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all : to thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man.
673 ページ - tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all : Since no man, of aught he leaves, knows, what is't to leave betimes ?
679 ページ - A blank, my lord. She never told her love*, — But let concealment, like a worm i' the bud, Feed on her damask cheek : she pin'd in thought : And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief. Was not this love, indeed...