Reading Between the Lines: Claude Simon and the Visual Arts

前表紙
Liverpool University Press, 1998/01/01 - 400 ページ
This study examines the relationship between the work of the novelist Claude Simon, and that of a number of visual artists to whom he has frequently referred in his interviews and public statements, or whose work he has used as stimuli in the production of his novels.
 

目次

Jean Dubuffet Chemin bordé dherbe Path Bordered
40
The Artwork as Generator
59
Joan Miró Paysage catalan Le chasseur 192324
70
Pieter Breugel the Elder Battle of Guilboa The Suicide
85
Antonio Canova Cupid and Psyche Embracing 178793
91
Robert Rauschenberg Charlene 1954
100
Louise Nevelson Sky Cathedral 1958
108
Paul Delvaux Petite place de gare 1963
119
Nicolas Poussin Et in Arcadia Ego Les bergers dArcadie
230
Nicolas Poussin Winter 166064
245
Simon and Baroque Art
249
Peter Paul Rubens The Miracles of Saint Francis Xavier
253
Jacob Isaaksz van Ruisdael Jewish Cemetery 16551660
276
Nicolas Poussin Landscape with Orion 1658
303
Conclusion
307
Vincent van Gogh Roots and Tree Trunks 1890
318

Francis Bacon Triptych Inspired by T S Eliots poem
125
Bricolage in Claude Simon Robert Rauschenberg
143
Robert Rauschenberg Odalisque 195558
165
Cézanne Poussin and Simon
197
Paul Cézanne Midday lEstaque Montagnes en Provence
201
Paul Cézanne Madame Cézanne dans un fauteuil rouge
219
Notes
325
List of Visual Works Cited
355
Bibliography
371
Index
395
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著者について (1998)

Jean H. Duffy is professor of French at the University of Edinburgh, the general editor of French Studies, and the author of Signs and Designs: Art and Architecture in the Work of Michel Butor.

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