Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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... play - Portia and Cleopatra - which makes it all the more likely that Shakespeare wrote these parts only when he knew he ... the Countess of Roussillon , Lady Macbeth , Goneril , Marina , Cleopatra , Volumnia and Queen Katherine .
... play - Portia and Cleopatra - which makes it all the more likely that Shakespeare wrote these parts only when he knew he ... the Countess of Roussillon , Lady Macbeth , Goneril , Marina , Cleopatra , Volumnia and Queen Katherine .
70 ページ
Tradition has shackled characters like Lear , Cleopatra and Falstaff with a greatness ' that can prejudice ruthless examination . Nigel Hawthorne could find no evidence in the text to call Lear a ' cruel tyrant ' , still less to justify ...
Tradition has shackled characters like Lear , Cleopatra and Falstaff with a greatness ' that can prejudice ruthless examination . Nigel Hawthorne could find no evidence in the text to call Lear a ' cruel tyrant ' , still less to justify ...
242 ページ
Cleopatra and Volumnia are probably my favourites . The parts I'm most in love with are the ones I've had several stabs at . I had three goes at Viola and Portia , and two at Rosalind . Coming back to a part after a gap of years is very ...
Cleopatra and Volumnia are probably my favourites . The parts I'm most in love with are the ones I've had several stabs at . I had three goes at Viola and Portia , and two at Rosalind . Coming back to a part after a gap of years is very ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote