Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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... play - Portia and Cleopatra - which makes it all the more likely that Shakespeare wrote these parts only when he knew he ... the Countess of Roussillon , Lady Macbeth , Goneril , Marina , Cleopatra , Volumnia and Queen Katherine .
Tradition has shackled characters like Lear , Cleopatra and Falstaff with a greatness ' that can prejudice ruthless examination . Nigel Hawthorne could find no evidence in the text to call Lear a ' cruel tyrant ' , still less to justify ...
Cleopatra and Volumnia are probably my favourites . The parts I'm most in love with are the ones I've had several stabs at . I had three goes at Viola and Portia , and two at Rosalind . Coming back to a part after a gap of years is very ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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