Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 27
7 ページ
After a difficult two years hiring other venues the company took the timbers from the Theatre much to the landlord's fury - across the river , and used them to build the Globe close to the Rose in Southwark . It's intriguing to think ...
After a difficult two years hiring other venues the company took the timbers from the Theatre much to the landlord's fury - across the river , and used them to build the Globe close to the Rose in Southwark . It's intriguing to think ...
9 ページ
His stage directions make it clear that the scene was both the prescribed location and the Globe . The audience were never in any doubt that they were in a theatre . a The company shareholders became the owners ( ' householders ' ) of ...
His stage directions make it clear that the scene was both the prescribed location and the Globe . The audience were never in any doubt that they were in a theatre . a The company shareholders became the owners ( ' householders ' ) of ...
16 ページ
12 It may have been necessary at the Globe , where the actor's face and front were never visible to the entire audience and he may therefore during long speeches have turned through 180 degrees . The new replica Globe on the South Bank ...
12 It may have been necessary at the Globe , where the actor's face and front were never visible to the entire audience and he may therefore during long speeches have turned through 180 degrees . The new replica Globe on the South Bank ...
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote