Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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The Chamberlain's became the King's Men , the Admiral's Prince Henry's Men and the recently established Worcester's the Queen's Men . The number of productions presented at court greatly increased , as did royal payments .
Richard Pasco , Ian wrote , “ saw his king in an elegiac sense , very much a Christ figure who really believed devoutly in the Divine Right ' . lan saw the King more as an actor , always acting to his court , and only having moments of ...
Russell Jackson and Robert Smallwood , 1994 : Maggie Steed on Beatrice ; Deborah Findlay on Portia ; Nicholas Woodeson on King John ; Gregory Doran on Solanio ; Penny Downie on Queen Margaret ; Anton Lesser on Richard of Gloucester ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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