Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 66
35 ページ
Without such direction Lear's reconciliation with Cordelia could be slow and sentimental : LEAR Would I were assured Of my condition . CORDELIA O look upon me , sir , And hold your hands in benediction o'er me . You must not kneel .
Without such direction Lear's reconciliation with Cordelia could be slow and sentimental : LEAR Would I were assured Of my condition . CORDELIA O look upon me , sir , And hold your hands in benediction o'er me . You must not kneel .
106 ページ
Othello , who has difficulty understanding his feelings , has only two soliloquies ; Lear , who disastrously lacks self - knowledge , has none ( while Edgar and Edmund have several ) . King Lear and Macbeth , written close together ...
Othello , who has difficulty understanding his feelings , has only two soliloquies ; Lear , who disastrously lacks self - knowledge , has none ( while Edgar and Edmund have several ) . King Lear and Macbeth , written close together ...
127 ページ
Macbeth is short on laughs , despite the Porter's efforts , but Lear has several . Lear himself has a confrontation with Kent that is pure pantomime repartee : LEAR What's he that hath so much thy place mistook To set thee here ?
Macbeth is short on laughs , despite the Porter's efforts , but Lear has several . Lear himself has a confrontation with Kent that is pure pantomime repartee : LEAR What's he that hath so much thy place mistook To set thee here ?
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote