Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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108 ページ
... Othello ( 3.3 ) Iago sets out to persuade Othello of Cassio's dishonesty and , when this is established , to doubt Desdemona's faithfulness . Then Emilia hands him the handkerchief , and Iago sees a way to give Othello ' ocular proof ...
... Othello ( 3.3 ) Iago sets out to persuade Othello of Cassio's dishonesty and , when this is established , to doubt Desdemona's faithfulness . Then Emilia hands him the handkerchief , and Iago sees a way to give Othello ' ocular proof ...
114 ページ
... OTHELLO What dost thou say , Iago ? IAGO Did Michael Cassio , when you wooed my lady , Know of your love ? OTHELLO He did , from first to last . Why dost thou ask ? IAGO But for a satisfaction of my thought , No further harm . OTHELLO ...
... OTHELLO What dost thou say , Iago ? IAGO Did Michael Cassio , when you wooed my lady , Know of your love ? OTHELLO He did , from first to last . Why dost thou ask ? IAGO But for a satisfaction of my thought , No further harm . OTHELLO ...
115 ページ
... Othello's exchange with Iago can be chatted almost as if it were an episode of a TV serial , but we can't chat through the image of a toad living upon the vapour of a dungeon . Of course the image must still have an internal , natural ...
... Othello's exchange with Iago can be chatted almost as if it were an episode of a TV serial , but we can't chat through the image of a toad living upon the vapour of a dungeon . Of course the image must still have an internal , natural ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote