Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
この書籍内から
検索結果1-3 / 46
204 ページ
Shakespeare was intrigued by the vices and virtues of disguise ( Kent can help Lear ; Edgar , Gloucester ; and Portia , Antonio , all through disguise ) , and Viola joins Hamlet and Isabella in their revulsion at ' seeming ' .
Shakespeare was intrigued by the vices and virtues of disguise ( Kent can help Lear ; Edgar , Gloucester ; and Portia , Antonio , all through disguise ) , and Viola joins Hamlet and Isabella in their revulsion at ' seeming ' .
207 ページ
This could either make Viola uneasy , or she may perceive she has an ally – or even a rival ( Feste seems proprietorial towards Olivia ) . It's followed by one of Viola's verse addresses to the audience , again demonstrating her quality ...
This could either make Viola uneasy , or she may perceive she has an ally – or even a rival ( Feste seems proprietorial towards Olivia ) . It's followed by one of Viola's verse addresses to the audience , again demonstrating her quality ...
211 ページ
Viola needs to feel to the very last moment that her brother may not be real . When Sebastian finally calls her by the name “ Viola ' ( never mentioned in the play before ) , it is as if her female nature is being called back into ...
Viola needs to feel to the very last moment that her brother may not be real . When Sebastian finally calls her by the name “ Viola ' ( never mentioned in the play before ) , it is as if her female nature is being called back into ...
レビュー - レビューを書く
レビューが見つかりませんでした。
目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote