Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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4 David Grote , The Best Actors in the World : Shakespeare and His Acting Company , Westport and London : Greenwood , 2002 , 162 , 233 . 5 Bruster , ' Birth of an Industry ' , 224–31 . 6 G.E. Bentley , ' Shakespeare and the Blackfriars ...
4 David Grote , The Best Actors in the World : Shakespeare and His Acting Company , Westport and London : Greenwood , 2002 , 162 , 233 . 5 Bruster , ' Birth of an Industry ' , 224–31 . 6 G.E. Bentley , ' Shakespeare and the Blackfriars ...
260 ページ
45 Luckhurst , On Acting , 63. David Mamet , True and False : Heresy and Common Sense for the Actor , London : Faber & Faber , 1998 , 109 . 46 Edward Burns , Character : Acting and Being on the Pre - Modern Stage , London : Palgrave ...
45 Luckhurst , On Acting , 63. David Mamet , True and False : Heresy and Common Sense for the Actor , London : Faber & Faber , 1998 , 109 . 46 Edward Burns , Character : Acting and Being on the Pre - Modern Stage , London : Palgrave ...
266 ページ
On Acting , eds . Mary Luckhurst and Chloe Veltman , London : Faber & Faber , 2001 eries of interviews with an off - beat selection of British and American actors . Prunella Scales and Timothy West , So You Want to be an Actor ?, London ...
On Acting , eds . Mary Luckhurst and Chloe Veltman , London : Faber & Faber , 2001 eries of interviews with an off - beat selection of British and American actors . Prunella Scales and Timothy West , So You Want to be an Actor ?, London ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote