Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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... action to the word , the word to the action ' . We will never be certain how Elizabethan actors pronounced Shakespeare's text , but certain deductions have been made from spellings in folio and quartos , rhymes , and the number of feet ...
... action to the word , the word to the action ' . We will never be certain how Elizabethan actors pronounced Shakespeare's text , but certain deductions have been made from spellings in folio and quartos , rhymes , and the number of feet ...
109 ページ
... action to express the emotion . We've already seen the importance that Elizabethan actors attached to movement and gesture ( see pp . 14-16 ) , and the way that Shakespeare wrote physical action into the text . The tenor of much recent ...
... action to express the emotion . We've already seen the importance that Elizabethan actors attached to movement and gesture ( see pp . 14-16 ) , and the way that Shakespeare wrote physical action into the text . The tenor of much recent ...
111 ページ
... action to the word , the word to the action . ' The end purpose of playing is ' to hold as ' twere the mirror up to nature ' . Clowns should ' speak no more than is set down for them ' . This is all good advice , but it's clearly not a ...
... action to the word , the word to the action . ' The end purpose of playing is ' to hold as ' twere the mirror up to nature ' . Clowns should ' speak no more than is set down for them ' . This is all good advice , but it's clearly not a ...
多く使われている語句
acting action actor ambiguity Angelo Antony audience backstory Benedick BIRON boy player breath Brutus Burbage cast character character's Cicely Berry Claudius Cleopatra clown comedy comic Coriolanus death director disguise Duke Elizabethan emotional Falstaff feel film final folio fools Friar Gertrude give Globe Hamlet Harriet Walter Henry Iago iambic iambic pentameter imagination irony Isabella Judi Dench King Lear Lady Macbeth language Lear's Leontes London look lord Malvolio meaning Measure for Measure modern nature never Olivia Ophelia Orsino Othello passion pause pentameter performance perhaps play plot Polonius Portia prose quarto realise rehearsal rhyme rhythm Richard Richard III Romeo and Juliet Rosalind scene Sebastian seems sense sexual Shake Shakespeare Simon Russell Beale soliloquy sometimes speak speare speech stage story stress syllables theatre there's things thou thought tragedies Twelfth Night verse Viola voice women words writing wrote