Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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For the actor there is no greater challenge than ' new - minting ' such imagery within the structure of the verse . a ASSONANCE , ONOMATOPOEIA AND ALLITERATION There are a large number of terms given to the many patterns of sounds and ...
For the actor there is no greater challenge than ' new - minting ' such imagery within the structure of the verse . a ASSONANCE , ONOMATOPOEIA AND ALLITERATION There are a large number of terms given to the many patterns of sounds and ...
48 ページ
ALLITERATION , the repetition of the sound of a consonant , will usually do its work without comment , or the effect can be too calculated or comic . Hamlet doesn't need to hit the ' h's in ' And shall I couple hell ? O , fie !
ALLITERATION , the repetition of the sound of a consonant , will usually do its work without comment , or the effect can be too calculated or comic . Hamlet doesn't need to hit the ' h's in ' And shall I couple hell ? O , fie !
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The vowel sounds , the assonance , the alliteration all provide a music that lodges in the imagination . The human mortals want their winter cheer . No night is now with hymn or carol blessed . ( A Midsummer Night's Dream , 2.1.101-2 ) ...
The vowel sounds , the assonance , the alliteration all provide a music that lodges in the imagination . The human mortals want their winter cheer . No night is now with hymn or carol blessed . ( A Midsummer Night's Dream , 2.1.101-2 ) ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote