Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
検索結果1-3 / 89
Judi Dench recalls how in Africa the audience went wild at the reunion of Sebastian and Viola , much to the surprise of a cast overfamiliar with the play ( see p . 217 ) . Third , we have to make sure that nothing detracts too much from ...
THE AUDIENCE Theatre needs an actor , a space - and a spectator : the arrival of the AUDIENCE is the completion of the process . Theatre is at its best when actor and audience are sharing thoughts and emotions , and it is this act of ...
Some parts , some moments can be played directly out to the audience . They are the only confidant Viola has for most of the play ; Hamlet and Macbeth depend on them a great deal . As Brian Cox wrote about his Titus Andronicus : The ...
レビュー - レビューを書く
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
他の 79 セクションは表示されていません