Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
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Claims have been made that commas mark places to take breath , but why then a comma after “ yesterdayes ? We certainly wouldn't need to take a breath there , so soon after the colon at a ' Recorded time ' . Some maintain capital letters ...
So get used to warming the voice up each day and doing some breathing exercises . Breath is central to the actor's creativity , particularly in Shakespeare . Our whole being is dependent on breathing , as breathing is dependent on ...
Can we do these lines on two breaths , or at the most three ? Take heart : Shakespeare isn't deliberately setting us Herculean tasks . The root of our energy always lies with the breath . Once we are on top of the thought and its energy ...
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THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
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