Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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95 ページ
... calls him ' you ' , ' sir ' , ' my royal lord ' , rather than her previous ' thee ' ; while Macbeth continues to call her ' thee ' and ' love'.9 Shakespeare also indicates changes of pace and tone . He first experiments with this in the ...
... calls him ' you ' , ' sir ' , ' my royal lord ' , rather than her previous ' thee ' ; while Macbeth continues to call her ' thee ' and ' love'.9 Shakespeare also indicates changes of pace and tone . He first experiments with this in the ...
169 ページ
... call his huge book Shakespeare and the Goddess of Complete Being , ' The Silence of Cordelia ' . Shakespeare loved the ... calls her ' my gracious silence ' . Isabella has a pause and then a silence at the close of Measure for Measure ...
... call his huge book Shakespeare and the Goddess of Complete Being , ' The Silence of Cordelia ' . Shakespeare loved the ... calls her ' my gracious silence ' . Isabella has a pause and then a silence at the close of Measure for Measure ...
211 ページ
... calls her by the name ' Viola ' ( never mentioned in the play before ) , it is as if her female nature is being ... calling Viola ' Cesario ... for so you shall be while you are a man ' ( 372–3 ) , so the disguise joke is kept going ...
... calls her by the name ' Viola ' ( never mentioned in the play before ) , it is as if her female nature is being ... calling Viola ' Cesario ... for so you shall be while you are a man ' ( 372–3 ) , so the disguise joke is kept going ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote