Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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At the same time it's vital to put on hold any final character assessment . The rehearsal period , with the input of the director and the other actors and the continual re - examination of the text , should open up choices and avenues ...
At the same time it's vital to put on hold any final character assessment . The rehearsal period , with the input of the director and the other actors and the continual re - examination of the text , should open up choices and avenues ...
139 ページ
CHARACTER - David Mamet writes that ' the preoccupation of today's actor with character is simply a modern rendition of an age - old preoccupation with performance , which is to say , with oneself ' . Hamlet doesn't exist outside the ...
CHARACTER - David Mamet writes that ' the preoccupation of today's actor with character is simply a modern rendition of an age - old preoccupation with performance , which is to say , with oneself ' . Hamlet doesn't exist outside the ...
142 ページ
“ I am not what I am ' is a good motif to take into any exploration of a Shakespearean character . How much of the character should be you ? Bernard Shaw divided actors into the classical , who become the character , and the romantic ...
“ I am not what I am ' is a good motif to take into any exploration of a Shakespearean character . How much of the character should be you ? Bernard Shaw divided actors into the classical , who become the character , and the romantic ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
他の 79 セクションは表示されていません
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |