Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Richard II wants to make it clear that no one else can un - anoint his divinity : With mine own tears I wash away my balm , With mine own hands I give away my crown , With mine own tongue deny my sacred state , With mine own breath ...
Richard II wants to make it clear that no one else can un - anoint his divinity : With mine own tears I wash away my balm , With mine own hands I give away my crown , With mine own tongue deny my sacred state , With mine own breath ...
90 ページ
Listen to the sound first and the meaning will become clear through that . A half - hour debate can be more confusing than one clearly put sentence . Music and rhythm : they must be your guides . " Shakespeare's characters exist in the ...
Listen to the sound first and the meaning will become clear through that . A half - hour debate can be more confusing than one clearly put sentence . Music and rhythm : they must be your guides . " Shakespeare's characters exist in the ...
156 ページ
The opening scenes of Twelfth Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet ...
The opening scenes of Twelfth Night and As You Like It make the likely direction of the action clear . More important for the actor , the characters are conscious that they are about to take part in a story . When Romeo discovers Juliet ...
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote