Nick Hern Books, 2007 - 274 ページ
Drawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare.
検索結果1-3 / 28
It also fatally undermines the comedy of Lucio walking into the trap culminating in his unmasking of the Duke in Act 5. At various points in the play , when the Duke is intent on manipulating , or inventing , the plot , he is harassed ...
There is potential comedy in the fact that the Duke has ' not yet made known to Mariana / A word of the bed - trick , and seven lines later tells Mariana that Isabella ' hath a story ready for your ear ' ( 46–7 , 53 ) .
CONCLUSION When aged fourteen I first studied Twelfth Night for an exam , I accepted it as a fairly straightforward comedy , but the more I see it and play in it , the denser and more puzzling I find it . Jan Kott saw it as a bitter ...
レビュー - レビューを書く
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre
他の 79 セクションは表示されていません