Performing ShakespeareNick Hern Books, 2007 - 274 ページ Drawing on a lifetime's experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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76 ページ
... DIRECTOR Actors , of course , think that the DIRECTOR has too much power . We often see ourselves as the last to be hired , first to be fired , and occupying the front line only in performance . Out there before an audience , the actor ...
... DIRECTOR Actors , of course , think that the DIRECTOR has too much power . We often see ourselves as the last to be hired , first to be fired , and occupying the front line only in performance . Out there before an audience , the actor ...
77 ページ
... director's confidence , that it can be very frustrating . You may not want to play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual , and declare that they have no idea ...
... director's confidence , that it can be very frustrating . You may not want to play Ophelia as an adolescent hysteric , or Laertes as a myopic guards officer . Some directors are anti - conceptual , and declare that they have no idea ...
87 ページ
... director will probably have worked out entrances and exits , but hopefully not detailed blocking - plenty of time for that . Some directors want immediate results , but don't allow yourself to be pushed on too fast . At a later stage ...
... director will probably have worked out entrances and exits , but hopefully not detailed blocking - plenty of time for that . Some directors want immediate results , but don't allow yourself to be pushed on too fast . At a later stage ...
多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke early Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting Isabella it's Juliet King Lady language later leading Lear London look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought turn understand usually verse Viola voice whole women writing wrote