Performing ShakespeareDrawing on a lifetime’s experience of playing Shakespearean roles, Oliver Ford Davies offers practical advice to actors, directors, and drama students on a wide variety of scenes, characters, speeches, and individual lines from almost every one of the plays. An authoritative, hands-on guide through the practical challenges involved in performing Shakespeare. |
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Emotional memory – recalling a time when you had a similar emotion - is probably most useful in the comedies ( love , jealousy , grief , joy ) . I find the histories and tragedies tend to deal with extremes ( revenge , killing and death ) ...
Emotional memory – recalling a time when you had a similar emotion - is probably most useful in the comedies ( love , jealousy , grief , joy ) . I find the histories and tragedies tend to deal with extremes ( revenge , killing and death ) ...
109 ページ
17 Physical preparation and the use of physical action to express the emotion . We've already seen the importance that Elizabethan actors attached to movement and gesture ( see pp . 14-16 ) , and the way that Shakespeare wrote physical ...
17 Physical preparation and the use of physical action to express the emotion . We've already seen the importance that Elizabethan actors attached to movement and gesture ( see pp . 14-16 ) , and the way that Shakespeare wrote physical ...
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Audiences , however much they may appreciate the intellectual and literary qualities of the text , finally respond to its emotional impact , and this cannot be short - changed . This can be a problem for the modern actor .
Audiences , however much they may appreciate the intellectual and literary qualities of the text , finally respond to its emotional impact , and this cannot be short - changed . This can be a problem for the modern actor .
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目次
THE ELIZABETHAN ACTOR 3 The Roots of Elizabethan Theatre | 3 |
The Actors | 5 |
The Theatres | 7 |
著作権 | |
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多く使われている語句
acting action actor alliteration appear audience become breath calls cast character clear Cleopatra comedy complete Coriolanus course death direction director Duke Elizabethan emotional example experience express fact feel final folio follow fools give Globe Hamlet hand heart Henry Iago idea imagination important intention interesting irony Isabella it's Juliet King Lady language later leading Lear look lord Macbeth marked meaning Measure mind move nature never night Olivia once Othello pause performance perhaps person play Players plot possible present probably problem production prose question rehearsal rhyme Richard scene seems sense Shakespeare simply soliloquy sometimes sound speak speech stage story suggest talking tell theatre things thought tragedies turn understand usually verse Viola voice whole women writing wrote
書誌情報
| 書籍名 | Performing Shakespeare A Nick Hern book |
| 著者 | Oliver Ford Davies |
| 寄与者 | Stanley Wells |
| 版 | 再版 |
| 出版社 | Nick Hern Books, 2007 |
| 書籍の提供元 | ミシガン大学 |
| デジタル化された日 | 2007年11月16日 |
| ISBN | 1854597817, 9781854597816 |
| ページ数 | 274 ページ |
| 引用のエクスポート | BiBTeX EndNote RefMan |